How To's

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Put here for a specific article

Cording on Oval Pillow

Smoothing Out Cording on Curved Pillows
The solution can be fairly simple, however you may need to experiment a little with some scrap fabric.

Others may have different solutions. This is my suggestion. The solution has several parts. Read all the instructions before beginning.

1. Summary.
In order for the welt to lay flat in the seam after the cushion is stuffed, both face fabrics of the cushion need to be sewn loose and slightly gathered while pulling the welting tight. As you are sewing, you are slightly pushing the face fabrics into the seam, being careful to line up the top and bottom marks (see #3a below), or have it pinned together (3b below).

Try on a Scrap
2. I would suggest that you try this with some scrap fabric first. This method assumes that you are using two oval type (or curved, arced, etc.) cushion faces, a strip of welting fabric (I cut my welting strips 1 ½” wide), and the inner cording. In this picture, I've only used one piece of fabric ( 1/2 of of cushion) and the welt fabric

(Click on Picture to enlarge)

Keeping Two Faces Together
3. Here are two methods to keep the top and bottom fabrics lined up as you sew. (when you are lightly gathering, it is more crucial to keep the top and bottom fabrics aligned)

A.)To make sure that the top and bottom pieces of the cushion stay lined up, I would suggest that you make marks every few inches on the back side of the seam allowances of both fabrics. ( I do this by laying the fabrics with the faces together and then line up the marks on both fabrics. As you sew around the edges (as explained below) keep checking that the marks on both fabrics are lined up.

B.) An alternative to #2 would be to put both fabrics together, face to face. Next, pin the fabrics together, about 2 inches in from the edge. Space pins ever 4 to 6 inches all around. The pins should help to keep both fabrics aligned as you sew them together.

Snipping the Welt Seam Allowance
4. One problem is that the welt on your cushion is sewn uneven and bumpy, some places are sewn tighter than others. This can easily happen on these oval cushions. To fix this part, (in addition to 3a or 3b) as you sew the welt onto the curved edge, snip "V-shaped notches" in the seam allowance every few inches all around the curved edge. (see Buck's message below) This will help the welt to spread out (like a fan) and lay flat as you are sewing the welt, which will enable you to sew the welt more consistently.

(Click on Picture to enlarge)

Slightly Gather The Face Fabrics
5. A second problem is that the welt was not pulled tight enough when it was sewed (which causes the “snaking) as compared to how much the seam allowances of the faces were pulled. Clipping the edge of the cushion (as explained above) will also help with this problem. The other part of this is, as you sew the welt into the cushion edge, pull the welt (fabric strip and inner cording) tighter than the seam allowances of the pillow faces. This will cause the face fabric to gather* just a little, (slightly like a drawstring purse) which is what you want.

(Click on Picture to enlarge)
(In these pictures, because I wanted the gathering to show in the pictures, I have gathered it more that you would.)

As you are sewing all the pieces together, pull the welt snuggly towards you as you are gently pushing the seam allowance away from you towards the sewing machine foot. This will slightly gather the fabric into the seam. On slight curves, you only need to gather a slight amount. On rounder curves, add more gathering into the seam. This will lightly gather the top and bottom fabric into the seam. Ideally only let it put the top and fabric slightly into the seam where it shouldn’t actually have any folds in the fabric. (* I don’t mean the tight gathering in the traditional sense, which has tiny folds. This slight gathering , in most cases, wouldn’t have the tiny folds. This light gathering is needed to allow for expansion of the cushion when filled.) The amount of gathering at the seams will also be partly determined by how much filling is put into the pillow. Not much gathering is needed on thin cushions, while more gathering is needed on thicker cushions.

This picture shows after it is finished sewing, the welt is tight, but the fabric is not flat, but a little gathered

(Click on Picture to enlarge)

This last pictures show what the welt would look like after the cushion was stuffed:

(Click on Picture to enlarge)

Because I gathered the pillow top more than you would, this would take a pretty thick cushion and notice how the welt doesn't snake, but is smooth. Also note, the sample in the picture is just one side of a pillow, and is only set on top of some cotton. On your pillow, you would gather it less than these pictures, and you would stuff it fuller, since your cushion would have 2 sides. As I said at the top, you need to experiment a little to see how much gathering you'd need to do.

Status: 

Much of the article/writing has been done, but need much work

How to Make a Marshall Spring Cushion

Skills Or Knowledge Needed: 

Should know how to make a pattern for chair cushion. Should know how to measure, cut, and sew a standard box cushion. This tutorial will not teach you how to make a cushion. It assumes that you already know who to measure, cut, and sew a regular box cushion.

Tools Needed: 

Sewing Machine Shop vac (to use for stuffing the cushion)

Supplies Needed: 

Upholstery sewing thread for your sewing machine. heavy needle for your sewing machine Marshall spring unit cotton burlap scraps of foam spray foam glue hog rings very thin plastic, such as a roll of .31Mil Painter's Plastic Sheeting" paper or stiff cloth for pattern

How To Steps: 

Making a Pattern for the Cover

Use a paper or a stiff paper pattern to fit the cushion to the chair size. As you make the pattern, add the normal 1/2" seam allowance all around. Add an additional 1/4" crown allowance to the sides and the front, but leave all the corners their actual size plus the seam allowance. (Don't add the 1/4" crown allowance to the corners.)

Building The Spring Unit

Since each spring in the spring unit is approximately 3 inches in diameter, you probably won't be able to get an exact size unit to fit the chair. It is common to fill in padding around the edges of the springs to fill up the area that the springs don't fill. Many time cotton is used to till the area around the springs. In this particular spring unit we used foam scraps to fill in the area around the springs. Because this cushion was extra deep we use a thicker piece of foam on the front and the back. You'll need to add however much foam or padding is needed to fill up the distance around the springs.

Starting with a Marshall spring unit that is the right size for  your chair:

  1. Make a burlap cover that fits snuggly over the spring unit.
  2. Slip the spring unit into the cover.
  3. Close the open end with hog rings or by hand sewing shut.
  4. Sew through the burlap cover to sew the springs to the cover.

Specifications of Finished Cushion

Descriptions Specifications
Cushion boxing Cut 5 inches wide, 4 inches finished
Marshall spring unit 4" tall, 6 springs X 6 springs (18" X 18")
foam at side of springs 1" thick X 3 3/4" tall  X23" long
Foam at front and back of springs 2" thick X 3 3/4" tall X 18 1/2" wide
Cotton 2 layers wrapped entirely around
Thickness of finished cushion at center About 8 inches
   
   

 

Editing Status: 

Much of the article/writing has been done, but need much work

How to Make a Tailored Skirt

Introduction: 

There is an art to making and mounting a tailored skirt so that it hangs properly. Here are a couple pieces of furniture to show you what a tailored skirt looks like. Here is a wing chair with tailored skirt.

(Click to Enlarge)

Here is an example of a sofa with this same type of skirt method:

The Process

Many upholsters sew the skirt into one unit before mounting. They sew a welt, then sew each skirt panel with lining on the back, sew the panels and flaps onto the welt and then put the whole skirt onto the frame all at one time. I had used that method for years and never was quite satisfied with the way the skirts hung. Unless the sewing is very precise and the sewing machine is properly adjusted, sewn-in lining often makes a skirt hang unevenly.

In contrast, the method of this tutorial involves layering the pieces onto the frame separately. I find that I can get the skirts to hang much flatter and straighter by putting one piece on at a time.

Although this tutorial explains the process of making a skirt one step at a time, we measure all the pieces of the furniture and do a cutting layout before we start the job. However, that is not part of this tutorial.

How To Steps: 

Measuring the old Skirt

First determine the skirt height. If the furniture had a skirt before, and if you are making the skirt the same height, then measure how high the top of the welt is from the floor and make a note of that measurement for when you mount the new skirt. If you don't have that measurement, they you'll just have to estimate that height, as described below.

Mounting the Skirt

When you are ready to begin mounting the skirt, the first step is to sew the welt separately and attach it to the furniture.  Start by stapling the welt onto the furniture frame first. (If you measured the skirt height of the old cover, you can measure the top of the new welt to make it the same height.) As you apply the welt, make sure to get it very straight.

To help get the welt straight, measure the distance from the floor to the top of the welt and attach the welt at one corner, and then go to the next corner and stretch it tight from the other corner, measure the welt height, and then attached the welt to that corner. Stretching the welt tight from corner to corner makes it easier to attach the welt between the corners straight.

There are several ways to measure the welt height. You can use a ruler, as describe above. Another method, if the legs are all the same height, is to use an adjustable square (or a short piece of cardboard) to measure the height of the welt from the bottom edge of the furniture as you attach it all around the furniture.
 

Once the welt is attached to the frame, it is now time to determine the height of the fabric of the new skirt. Measure from the floor to the bottom of the welt on the frame. Now deduct the clearance at the bottom. We generally allow 1/2" from the floor to the bottom of the finished skirt. If the furniture sits on a deep carpet, then we figure from the top of the carpet. (This clearance measurement is not set in stone. It can vary depending upon the circumstance.)

For this example, let us assume that we want the skirt to be 1/2" off the floor and the bottom of the attached welt is 7" from the floor. Deduct the 1/2" from the skirt bottom and we have a finished skirt height of 6 1/2". But, allowing a 1/2" stapling allowance at the top of the skirt and we have 7" raw skirt height. Since we are self lining the skirt, we will double the height of the skirt. 7" X 2 = 14" cutting height.

Next, we need to determine the skirt panel width. Measure the width of the frame corner to corner and add a couple inches to that measurement (for seam allowance and trimming to size.) For example, if our furniture measures 26" from corner to corner, cut the fabric at least 28" wide. (If I have a pattern to match, as in this case, I cut the panels even wider.)

Now we have the cutting size of our skirt panel. 28" wide X 14" high. Take these measuments from every side of the furniture. (Generally both arms will measure the same.) Now cut the panels out of the new fabric.

Take each panel and hold it up to it's place on the furniture. (It helps to put some pins to hold it in place. Either put some pins in the fabric at the corners or mark on the edge of the fabric. Add about 1/8" to 1/4" to the width of the seams to allow turning the fabric right-side out after sewing.

 After the skirt panel has been marked, take all the pieces to a table fold each one in half lengthwise inside out and line up the edge. Put in a few pins to keep the edges aligned.


Lining up the edge of a square with the folded bottom of the skirt and with the corner marks, mark the seam lines (so that the seam will be straight)


Sew the ends of the panels on the lines that you just drew.

Before trimming the seam allowance, turn each panel right side out and take it to the frame. Make sure the sewn edges of the skirt panels lines up with the corners of the frame. Then trim the seam allowance to 3/8" or 1/2".


 Then, after the ends of the self-lined panels are sewn, carefully attach them so that they hang flat and straight. To start with, put a few widely spaced staples along the top on the backside of the skirt.

IMG_1019a.jpg

Then, before proceeding, turn the skirt down to check that the top has been attached flat and smoothly.

 After the panels are attached all around I hang the corner flaps under the panels. If the fabric is thinner, I self-line them just like the panels. With heavier fabrics, as in this case, I don't self line (to keep the bulk at the corner to a minimum). Instead I sometimes serge around the edges and hem the bottom of the flap.

Then the flap is hung so that the bottom of the flap is about 1/4" shorter than the bottom of the skirt.

 Lastly, the cardboard strips go on. Care is taken at each step to make sure each piece is hanging smoothly.

Note: many upholsterers put a stiffener in their skirts. Unless there is a real need for it, I much prefer natural look and soft feel of a skirt without the stiffener in it. I've never had a client complain about my skirts made this way. When you take the time each step of the way to make sure the skirt is hanging smoothly, a stiffener is optional.

One thing about self-lining the skirt panels, with a seam at each end, is that the panels hangs so much smoother and evenly. Another advantage is that if the skirt is even damaged by a pet, it can be more easily repaired. Just take off the damaged panel (& sew a patch in it if needed) and flip it over and remount it*.

This tutorial began as this message on Carrscorner Forum. Thanks to Cheryl for her comments and explanations which helped to spur me to write this tutorial.

*Thanks to Stacey at Carrscorner for pointing this out.

Editing Status: 

Much of the article/writing has been done, but need much work

How to Reupholster a Sofa

Reupholster sofaHave you ever wanted to reupholster your sofa? Let this tutorial help you get started. It gives you a plan to work by.

Introduction: 

This article is in process of being written. come back later to finish reading the full article.

 In this day and age there are many shapes and styles of sofas. No one tutorial can successfully teach how to do all the details on all the various styles of sofas. This overview tutorial covers only a general basic upholstery process. It does not cover special components, such as attached pillows, channels, button-tufting or any of the other fancywork.

My first bit of advice is, if you have never done any upholstery before, stop. Do not do your sofa yet. Sofas are usually front and center in your living room. Start with some smaller and simpler projects (dining chair seats, small side chairs, etc.).

Skills Or Knowledge Needed: 

The ability to work with basic hand tools: hammer, pliers, screwdrivers, squares, how to read rulers and tape measurers

Know how to use a sewing machine.

To Learn about the terminology and abbreviations used in upholstery and in this article, go here: Upholstery Terminology & Abbreviations.

 
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Tools Needed: 

Minimum Make-Do Tools

  • Hammer, any type
  • pliers, any size
  • flat-bladded and phillips screw drivers
  • Scissors, 9" or 10"
  • long ruler
  • tape measure
  • hand or electric stapler
  • heavy duty home sewing machine?
  • work table or saw horses
  • a large flat surface for rolling out and cutting the fabric

For an additional list of tools, go here: Basic Upholstery Tools.

Fixtures

  • Sawhorses and/or work table on which to put the sofa while working on it.
  • Cutting table or large flat surface to roll out the fabric while cutting. Upholstery fabric is about 54" wide, so a fabric cutting table is generally about 60" wide. It can be anywhere from 8 ft to 12 ft long, or longer, depending upon the amount of space you have.

For an additional list of Fixtures, go here: Shop Fixtures.

 
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Supplies Needed: 

  • Cotton
  • Dacron
  • staples
  • Upholstery weight thread for your sewing machine
  • heavy needles for your sewing machine
  • burlap: used to replace burlap over seat springs and back springs. Also used as a support lining on the inside arms, outside arms and outside back.
  • webbing: If the sofa has hand-tied seat and back springs, replace webbing that support those springs. Also use one strip of webbing horizontally on the inside arms as a support behind the burlap liner.
  • spring twine: If sofa has hand tied springs in seat and/or back, use to retie those springs. If the sofa has arc springs
  • Deck cloth
  • Zipper chain & zipper slides
  • cording
  • button twine
  • Tack strips
  • hand sewing thread
  • marker: Pencil, tailor's chalk (don't use felt tip marker)
  • graph paper (if you will be doing a layout by hand.) & glue stick
  • Single edge razor blades

If you are replacing the cushion filling, then you will need one or more of these:

  • Polyfoam
  • Dacron wrap
  • Marshall spring units
 
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How To Steps: 

Advance Planning

Thinking out and planning a job in advance (as much as you are able) often makes a big difference in how a job turns out. It is so easy for a beginner to want to get started before he/she even knows what he/she will be doing. As much as anything, this tutorial will help you examine what you will be doing and help you in the planning process.

Assessing a Sofa to Reupholster

Just because you have a sofa in your house doesn't necessarily mean that you should reupholster it. It takes a lot of work and a fair amount of cost to reupholster a sofa. Make sure that you like your sofa before making the decision to recover it. If you do you like your sofa, then  skip the section below about finding a sofa, but read through the other sections below about accessing the style and condition of the sofa. If you really don't like your sofa, then you may want to find another sofa to recover.

Sofa Style:

Each sofa style will take a different amount of  work. If you are just a beginner, you may want to chose a very simple sofa style to begin on. If you have never done any upholstery before, we'd strongly suggest that you do some small simpler pieces of furniture before starting on a sofa.

Assessing the Condition of the Sofa:

As we inspect the frame, springs, and support linings, one of the primary principles we keep in mind is, "will it last the life of the new cover?" This will be our guide as we try to determine what to fix and what to leave alone.

Check the condition of the frame

Check the frame. Try to wobble all parts of the frame. wiggle the arms side to side, grab ahold of the top of the middle backrest and try to pull it towards the front and then push it toward the back. Try to wiggle all parts of the frame. Listen for squeaks and watch for frame wobble and loose joints. If the frame is wobbly, it can be fixed, but it ads some extra work. To fix loose joints often requires that you take everyting off the frame (fabric, padding, springs, etc. so that the joints can be opened up reglued, make triangle fitted corner blocks and reglued. You will also need to have some woodworking clamps. If you or a helper can do wood joint repairs, then you might be OK. But, if neither you nor anyone else is comfortable with doing the frame repairs, you might want to pass us any sofas that have loose jointed frames.

Determining the type and condition of the springs:

Sofas general have one of these types of springs:

Hand-tied coil springs, which are among the best types to have. If tied propery, coils springs give superior support and comfort. Much of the time yoiu can determine is the sofa has hand tied springs by putting your hand under the sofa and pressing up. If you feel a firm spring support underneath at the bottom of the sofa, it may be hand tied springs. A sofa with hand tied spring generally has webbing across the very bottom of the sofa, with the springs pressing down  against the webbing. This gives the bottom of the sofa a firm "full" feeling. When this type of set needs retieing, the bottom often sags down because the webbing stretches as it gets older. Also, the top between the springs will feel loose. 

Arc springs (commonly called zig zag springs). If, when you feel the bottom of the sofa, all you feel is

Machine wired coil spring

Rubber or Elastic Webbing

Take Pictures

After you have the sofa all taken apart, it can be quite confusing to try go figure out how all the assorted pieces get put back together.  "Better to have the pictures and not need them than to need them and not have them."
To the observant, the sofa itself will tell you how to put it back together. The pictures that you take and the old cover will show you far more than this tutorial about how to put it back together.

In this modern day of inexpensive digital cameras, it is nearly essential that every do-it-yourselfer (and professionals) have one within arms-reach, and use it constantly, throughout the whole process of recovering the sofa.
Before you start removing old cover, take pictures from all sides: front, with the cushions and without the cushions, back, side, bottom. Take pictures that include the whole sofa, take closeups that include just the arm, take extreme closeups that include any special detailing, such as folds on the front of the arms, etc. Take pictures throughout the whole process, from stripping the old cover off, taking the seams apart, cutting and attaching the new fabric, until you have the sofa finished. As you unsew seams, take pictures of how the pieces looked before you took them apart. (Be sure to mark the pieces, as described under Method 2: Cutting the Fabric.) Your pictures should also include showing how the folds are made,  the type of padding, the support linings, and anything else that you may need to know. Take more picture than you think you will need. Be thoughtful of how you frame the pictures and what you include in the pictures. Once you have the old cover removed, your pictures will be one of your main reference  points. The other main reference point will be looking at the old cover.

Choosing a Fabric

If this is your first sofa that you will be recovering, choosing a good fabric will help you do a better job. It is easier to work with a medium to heavy weight upholstery fabric.

Intended use:

Lifestyle of users:

Determining Yardage

 As you are determining the yardage amounts, be sure to allow an extra amount for making mistakes. Even professionals make mistakes, and as an amatuer you also will make mistakes. Depending upon your skill level you might add approx 25% to 50% additional fabric above any already generous amounts. As your skill improves you will need a smaller allowance. Even professionals commonly add an allowance of 5% to 20% more fabric for mistakes, fabric flaws, etc.. It is far better to end up with extra fabric than it is to run short of fabric for a job. Sometimes the fabric store or wholesale supplier may sell out of your chosen fabric. That could be a disaster, or at least a challenge.

Now, to answer the question, "How many yards will your sofa take". Look at one of the upholstery yardage charts that you will find here.

Ongoing Self-Inspection & Correction

We all make mistakes. Even professionals make mistakes. One of the biggest difference between a profession quality job and an amatuer job is that the amatuers don't correct their mistakes.

On the same vein, correcting your mistakes will improve your skill more than just about anything else. Correcting mistakes is often not dun and easy. Sometimes it involves taking a lot of the job apart. However, when you are in the mindsed to correct your mistakes, and you actually do correct your mistakes, your awareness increases dramatically. After you've corrected a lot of mistakes you begin to watch the quality of your work as you do it. Many professionals catch their mistakes as they begin to make them, and can make the needed corrections without much loss in time.

Amatuers often either don't see their mistakes (or don't want to see them) or don't care. They just want to get the job finished and don't correcte their mistakes. Consequently, their finished projects look like an amatuer did it. Here is something you should keep in mind. Correcting your mistakes may increase the time to recover the sofa by a few hours or even a few days. BUT, you will have to live with sofa for years. Do you want those mistakes staring you in the face for years to come?

Cutting & Sewing the Fabric

There are at least several ways to plan your cutting that involve anything from using planning your cuts to using the old cover for your pattern. Below are two different methods to cut your fabric. Use whichever method best matches with your skill sets and your temperment.

Method 1: Measuring the Sofa & Making a Cutting Layout.

Method 2: Using the Old Cover for a Pattern

Pros:

Since you make a layout in advance:

  • You know how much fabric you will be using. You will also know much quicker if you need to get more fabric.
  • Cutting the fabric is much less stressful. You know where to cut each piece. Your cutting layout is actually a cutting plan, and you just mark and cut the fabric following the plan.
  • You can leave the old cover in place as you cut and sew the new cover. You can refer to the old cover at any time because it is still in place.
  • If you want to, when you are ready to put the new cover on the sofa, you can just remove one piece at a time and put the new cover on.
  • Since you normally don't take apart the seams of the old cover, you have it to refer to if needed.

Cons:

  • On some pieces that need to be fitted, you cut the fabric twice, once from the layout rectangle size, and then cut it to shape.
  • It can be much more stressful to try to measure the sofa and to create a layout the first time.
  • Making a layout can be very tedious and take a lot of time, especially on your first time.

 

Pros:

  • You don't have to worry or stress about measuring and doing a layout.
  • Providing it fits, you can use the old cover as a pattern. This can help you make a good fitting new cover.

 

Cons:

  • You won't know if you have enough fabric until you have every last piece of fabric cut. If you don't have enough fabric, you might not be able to get more, or it might make you put the job on hold until the new fabric arrives. Since this is not a very efficient use of fabric, make sure you have plenty of fabric.
  • You won't have the old cover on the frame to refer to as you cut and sew the fabric
  • Since you take all the seams apart, you may get confused about how it all goes back together.
  • Since you won't be able to plan your cuts very well, you may cut inefficiently and therefore run short of fabric. In this case you may have to piece together together some of the scraps to make some of your pieces.

Measuring the Sofa

In order to make a cutting layout we need to measure every piece of fabric on every part of the sofa. (The actual pieces you measure will vary depending upon the style of your sofa.) Write down the widest point and the tallest point of every piece. Then add several inches to each measurement to allow for seam allowance and extra fabric to grab hold of to pull it. Measure all the welting. For a standard sofa, here is an example of what to measure (will vary with each sofa):

  • On the sofa deck (under the cushions) the fabric pieces that you need to measure are:
    • the Front Deck
    • Front Band
    • Front Band welting
  • On the arms measure
    • the Inside Arms*
    • Outside Arms
    • Arm Facing
    • Arm Facing Welting
  • On the backrest, measure
    • the Inside Back*
    • the Banding
    • the Banding Welting (add about 20 inches to what shows. This welting needs to be long enough to stick through the frame slots and put through to the outside. More about this later.)
    • the Outside Back
    • The Outside Back Welting
  • On the Cushions measure
    • the Cushion Faces (top & bottom),
    • Boxing
    • Welting
    • Zipper pieces

There may also be other pieces to measure that are not listed here.

*The inside arms and the inside back need special consideration. First you need to determine whether or not you will be using a stretcher cloth at the bottom of these. If so, then you will add about 3 or 4 inches at the bottom of each of these

Some people use the old cover as a pattern to cut the new fabric. This method is for people who don't like to make a layout.

Removing the Old Cover

For more helping in removing the old cover, see Tear Down Methods and Using An Air Ripping Chisel

As you remover the old cover, take care to remove each piece without ripping it very much. When you start putting the new cover on, you may find it useful to look at the old cover to see how it was made, how it was folded, etc. If you just rip the old cover to shreds while removing it, then you won't have it as a guide to help you put the new cover on.

To remove the old cover, you will mainly need a hammer and ripping chisel. Other tools that you will also need are a pair of pliers, scissors, a staple remover, screwdrivers, and (occassionaly, some wrenches).

You will remove the old cover the opposite way how it was attached, removing the bottom and outside first.

  1. If the sofa has a skirt, remove that first.
  2. Turn the sofa on its back or upside down.
  3.  Remove the dustcloth (It is the one piece you can just rip off.)
  4. With the sofa still upside down, take loose all the fabric that is attached to the bottom of the sofa.
  •  
    • the bottom edges of the outside arms, outside back, and deck.

Planning Your Cuts

Making a Cutting Layout

Here are three different ways to do a planned layout. For each of the pattern pieces just make a rectangle. Don't worry about shapes or darts at this point.

  • Pencil and paper: Use a large piece of paper (butcher paper, etc.) and draw out a large rectangle, to scale, to represent the fabric size. Then lightly pencil in the various pattern sizes, with ID marks and measurements, in the middle of the large rectangle. Erase and rearrange as necessary to get the best use of the fabric.
  • Graph paper: Scale down your measurements so that one inch equals one square (or something similar). Tape together enough sheets of graph paper to the size of your fabric. Lay the graph paper on a large flat piece of cardboard or a corkboard and use thumbtacks to attach the graph paper. You can lay board flat or put it up on the wall.  Then, for each fabric piece, Draw a dark line around the edges of each pattern piece, following the lines of the graph paper. to mark each piece to scale. As you cut each piece, mark it (i.e. IB for inside back, IA for Inside arm, OA for outside arm, etc.). Also mark the L  X  W size on each piece. When you have all the patterns cut. rearrange then on the fabric graph paper base to get the best fit. As put everything in place, use thumbtacks to hold the small rectangles of graph paper onto the large piece of graph paper. Rearrange the cut pieces to get the best use of fabric.
  • Drawing or CAD software: This is the method that I use. It is the hardest to learn, but is the easiest and most efficient to do once you have master it. It works similar to the graph paper, except on the computer. You draw one large rectangle to represent the roll of fabric. Then, using the measures from your sofa, you make rectangles to represent the cut sizes of the different parts of the sofa. Attach dimension lines to each rectangle, and label the rectangle for each sofa part (i.e. IA = Inside Arm, IB = Inside Back, etc.) Arrange the labled rectangles on top of the large rectangle to get the best use of the fabric. Then print out the finished drawing and use as a guide to mark and cut the fabric. As you cut each piece, transfer the identification marks from the drawing to the back of the fabric.

Cutting the Fabric

After you have all the old cover stripped off the frame, remove all the tacks or staples from the old cover. First draw alignment marks, with ID letters, on both sides of all seams on the top side of the old cover. Then take apart all the pieces of the cover, take apart all the seams, and iron them all flat. If the old cover is very soft and limp, you might want to use some spray starch on it as you iron it so that it will lay out flat and stiff. That will make it easier when you are trying to lay it out for a pattern. Make sure that you mark each and every piece, no matter how small, where it came from, (IB, IA, OA, etc.) or all the pieces will become one big jumbled mess that will be very confusing.

Then you'll need a large flat and very clean area to roll out the fabric. It could be on a long table, floor, deck, etc.  If you decide to make a table you might like to know that the upholstery cutting table that many upholsterers use is 60" wide. Roll out the fabric

(If at all possible, it would be very helpful to be able to roll out the whole role of fabric at one time.)

 

Cutting The Fabric

Assuming that you are using a plain fabric, you can railroad the fabric (cut from the side). Since you (presumably) have already did a fabric layout, just mark and cut the fabric following the your plan. You can use a carpenter's framing square to square up the fabric.

As you cut out each piece of fabric, draw a line along the top edge to identify which is the top of the fabric.Also mark an id mark on the back side of each piece. When marking the back, careful to use a marker that won't bleed through the fabric.

 

 

Fitting The Cover

You can either fit each piece of the new cover while the old cover is still attached to the frame (which is easier) OR you can fit each piece (after the cover has been removed  and the frame has been prepared for covering) as you are ready to attach it to the frame. For this tutorial, we will assume that you will use the first method.a ...

For any pieces that need to cut to shape, lay the precut pieces upside down on the corresponding pieces on the old cover (which is still on the sofa), check all around the edges that everything has enough for at least a 1/2" seam allowance. and pin it in place. Once the new fabric is anchored in place with the pins, use a marker to draw on the back side of the new fabric along the seams of the old fabric. Wherever there aren't any seams, push the fabric into the crevaces so the fold makes a right angle. Wherever appropriate, draw a line around those fold lines. Then, before cutting it, add a 1/2" seam allowances to all seam areas

a If you will be doing any rebuilding or repadding of the frame, then we'd recommend you use the second method.

Sewing The Cover

Sewing The Cover

If the inside back has a cording around the front, then when you sew the cording onto the IB piece, center the cording so that the cording will protrude about 5-10 inches past the bottom edge of the IB. You will need this extra cording sticking out when you attach the IB to the frame.

 

Removing the Old Cover

When you have all the new cover sewn, take off the old cover. For instructions, see Method 2, Removing The Old Cover.

You have a choice. You can either take off the entire old cover at one time, or you can take only as much apart as needed at one time.

 

 

 Preparing the frame

After all the fabric has been removed, examine every place where the fabric had been attached. Clean up the frame from staples, cotton and fabric. You want to remove anything that will have a sharp edge or that will leave a bump. There are usually staples still in the wood. Remove the staples that have one prong sticking up. You can hammer flat the staples that have both ends in the wood.

While you are examining the frame, also examine the strength of the joints and boards. If the frame has any loose joints, you will need to either take that part of the frame apart or open the joint(s) up enough to glue (use a carpent's wood glue) into the joints and into the dowel holes. Sometimes you may also need to make fitted triangle shaped blocks to further strengthen the joint. After gluing, securely clamp the joints together until the glue dries. (Read the directions on the bottle of glue to find out how long to leave the clamps on.)

If you will be adding a skirt to this sofa, determine how tall you will want the skirt (6"-8" is a common height for skirts, measure to the top of the skirt welting. Then you'll want to make sure that the frame has wood to attach the skirt all around four sides. Sometimes you may need add wood to the frame to attach the skirt. However, if you need to add this wood, don't block any areas where fabric pulls through from the inside. If your chosen skirt height requires that you add wood to "pull through areas, then wait to add the wood until you have the inside of the chair finished.

The prevailing Thought

In examining and repairing (as necessary) the frame, springs, support linings, and paddings, keep in mind that each of these needs to last longer than the new fabric that you are applying. What is the point of putting a new cover on if the frame, springs, support linings, or padding will give out before the fabric wears out? So, as you are examining each of these, if any of them is not in excellent shape, you may be well advise to replace or repair them.

Springs

Most of the low to medium quality sofa have zig zag (arc) springs. This tutorial doesn't cover hand tied springs.

Test the springs for squeaks. Press down each spring and listen for a squeak. If you hear any squeak, you would most likely need to replace the spring clips at the end of the springs. (The springs clips have a paper insulation on the inside. When the paper wears through, then you have metal to metal rubber, which causes the sqeaks. Replacing the clips generally elminates most spring squeaks.

Next, tie about 4 or 5  strands of spring twine the length of the sofa. Tie the twine from spring to spring (tie both sides of the spring), attach each end of the twine to the sofa frame.

Then put new burlap over the springs. Add an insullation pad (or carpet pad) over the springs, followed by a layer of cotton.

Paddings

Support Linings

The support lining usually consists of burlap, with jute webbing straps underneath.

The support linings hold the padding in place. It is important that they are in good repair if you want the sofa to stand up to much use. To replace the support linings you generally need to remove the padding, taking pictures and keeping a keen eye as to how the padding is attached. After the padding is off, examine how the old support linings and webbing was attached and (providing it was professionally done previously) put the new burlap and webbing on the same way. Then, either put the existing padding back on, or replace with new padding, replacing it the same as it came off.

Cushion Filling

Most modern sofas will have polyfoam in the cushion. Even the cushions had springs or something else in them, you can still put new foam cushions in them. If you will be putting a zipper in the seat cushions (which is recommended) you can always replace the foam in the cushions at a latter date). When replacing the foam, use a high quality foam of at least 2.5 lb to 3 lb. which will give you many years of service.

Attaching the Fabric

The Deck

The Inside Arms

The inside Back

If the IB has a welt sewn around the edges, then, at the inside bottom corners (if needed) cut the fabric off the covered welting. You want the welting (including the covering fabric) to be loose from the other fabric enough so that you can stick it through the frame slot at the bottom of the IA. The welting should stick out so that you can grab hold of it at the outside arm.

The Cushion

The best time to fit the cushion is after the inside arms and inside back have been attached, and BEFORE the outside arms are attached. This will give you the ability to adjust the size of the seat area, if needed. For example, if the cushion is a little too big you can put the bottom of the inside arm tighter to increase the distance in between the arms. You can also pull the bottom of the inside back a little tighter, which increases the front to back measurement of the cushion area.

If the cushion is a little too small, then you can take the bottom IB and IA loose and let the fabric out a little. You can also stuff some cotton (neatly and straight) in back of the IA & IB padding from the outside bottom. This will decrease the width and depth of the seat cushion area.

If the old cushion is good enough condition, put it onto the deck to see how it fits. If it fits fairly well, you can take apart the cushion cover and use it as a pattern for the new cushion. If the cushion is too big or too small, make marks on the old cushion to show how much will need to be added to or cut off the old cushion cover.

The Outside Arms

If you are adding a skirt, and if you need to add wood to the area where the inside arms pull through, this is the time to add that wood.

Attach the top of the OA fabric first. Lay the OA fabric inside out over the inside arm. Attach both ends first, then straighten the top edge of the fabric as you put a few staples across the top. Now attach a cardboard strip across the top, keeping it straight. Put the staples near the upper edge of the cardboard strip.

To add padding, use burlap or other strong fabric and staple to outide arm. Add layer of cotton or bonded dacron over the burlap. (If the padding is thick, you can often split it and only use a half thickness to pad the outside arm. Also, if the sofa has a skirt, only pad the area above the skirt. The staples used to attach the skirt will hold better if you don' t have the additional thickness of the cotton

Now unfold  the OA fabric down from over the IA. Line up the weave of the OA fabric with the frame at the front of the arm, then staple the center bottom under the sofa. If the sofa has a facing staple the bottom of the OA fabric around the front of the arm. Alternatively, if the sofa uses a tack strip at the front edge, put that in now. Next pull and staple the OA rear bottom fabric, tacking up all the slack at the back and bottom of the OA..

The Outside Back

The Skirt

 Modern furniture h

Advance Planning

Advance PlanningThinking out and planning a job in advance (as much as you are able) often makes a big difference in how a job turns out. It is so easy for a beginner to want to get started before he/she even knows what he/she will be doing. As much as anything, this tutorial will help you examine what you will be doing and help you in the planning process.

Assessing The Sofa

Assessing a Sofa to ReupholsterJust because you have a sofa in your house doesn't necessarily mean that you should reupholster it. It takes a lot of work and a fair amount of cost to reupholster a sofa. Make sure that you like your sofa before making the decision to recover it. If you do you like your sofa, then  skip the section below about finding a sofa, but read through the other sections below about accessing the style and condition of the sofa. If you really don't like your sofa, then you may want to find another sofa to recover.Sofa Style:Each sofa style will take a different amount of  work. If you are just a beginner, you may want to chose a very simple sofa style to begin on. If you have never done any upholstery before, we'd strongly suggest that you do some small simpler pieces of furniture before starting on a sofa.Assessing the Condition of the Sofa:As we inspect the frame, springs, and support linings, one of the primary principles we keep in mind is, "will it last the life of the new cover?" This will be our guide as we try to determine what to fix and what to leave alone.Check the condition of the frameCheck the frame. Try to wobble all parts of the frame. wiggle the arms side to side, grab ahold of the top of the middle backrest and try to pull it towards the front and then push it toward the back. Try to wiggle all parts of the frame. Listen for squeaks and watch for frame wobble and loose joints. If the frame is wobbly, it can be fixed, but it ads some extra work. To fix loose joints often requires that you take everyting off the frame (fabric, padding, springs, etc. so that the joints can be opened up reglued, make triangle fitted corner blocks and reglued. You will also need to have some woodworking clamps. If you or a helper can do wood joint repairs, then you might be OK. But, if neither you nor anyone else is comfortable with doing the frame repairs, you might want to pass us any sofas that have loose jointed frames.Determining the type and condition of the springs:Sofas general have one of these types of springs:Hand-tied coil springs, which are among the best types to have. If tied propery, coils springs give superior support and comfort. Much of the time yoiu can determine is the sofa has hand tied springs by putting your hand under the sofa and pressing up. If you feel a firm spring support underneath at the bottom of the sofa, it may be hand tied springs. A sofa with hand tied spring generally has webbing across the very bottom of the sofa, with the springs pressing down  against the webbing. This gives the bottom of the sofa a firm "full" feeling. When this type of set needs retieing, the bottom often sags down because the webbing stretches as it gets older. Also, the top between the springs will feel loose. Arc springs (commonly called zig zag springs). If, when you feel the bottom of the sofa, all you feel isMachine wired coil springRubber or Elastic Webbing

Take Pictures

Take PicturesAfter you have the sofa all taken apart, it can be quite confusing to try go figure out how all the assorted pieces get put back together.  "Better to have the pictures and not need them than to need them and not have them." To the observant, the sofa itself will tell you how to put it back together. The pictures that you take and the old cover will show you far more than this tutorial about how to put it back together.In this modern day of inexpensive digital cameras, it is nearly essential that every do-it-yourselfer (and professionals) have one within arms-reach, and use it constantly, throughout the whole process of recovering the sofa. Before you start removing old cover, take pictures from all sides: front, with the cushions and without the cushions, back, side, bottom. Take pictures that include the whole sofa, take closeups that include just the arm, take extreme closeups that include any special detailing, such as folds on the front of the arms, etc. Take pictures throughout the whole process, from stripping the old cover off, taking the seams apart, cutting and attaching the new fabric, until you have the sofa finished. As you unsew seams, take pictures of how the pieces looked before you took them apart. (Be sure to mark the pieces, as described under Method 2: Cutting the Fabric.) Your pictures should also include showing how the folds are made,  the type of padding, the support linings, and anything else that you may need to know. Take more picture than you think you will need. Be thoughtful of how you frame the pictures and what you include in the pictures. Once you have the old cover removed, your pictures will be one of your main reference  points. The other main reference point will be looking at the old cover.

The Fabric

Choosing a Fabric

If this is your first sofa that you will be recovering, choosing a good fabric will help you do a better job. It is easier to work with a medium to heavy weight upholstery fabric.

Intended use:

Lifestyle of users:

Determining Yardage

 As you are determining the yardage amounts, be sure to allow an extra amount for making mistakes. Even professionals make mistakes, and as an amatuer you also will make mistakes. Depending upon your skill level you might add approx 25% to 50% additional fabric above any already generous amounts. As your skill improves you will need a smaller allowance. Even professionals commonly add an allowance of 5% to 20% more fabric for mistakes, fabric flaws, etc.. It is far better to end up with extra fabric than it is to run short of fabric for a job. Sometimes the fabric store or wholesale supplier may sell out of your chosen fabric. That could be a disaster, or at least a challenge.

Now, to answer the question, "How many yards will your sofa take". Look at one of the upholstery yardage charts that you will find here.

Ongoing Self-Inspection & Correction

We all make mistakes. Even professionals make mistakes. One of the biggest difference between a profession quality job and an amatuer job is that the amatuers don't correct their mistakes.

On the same vein, correcting your mistakes will improve your skill more than just about anything else. Correcting mistakes is not fun and easy. Sometimes it involves taking a lot of the job apart. However, when you are in the mindset to correct your mistakes, and you actually do correct your mistakes, your awareness increases dramatically. After you've corrected a lot of mistakes you begin to watch the quality of your work as you do it. Many professionals catch their mistakes as they begin to make them, and can make the needed corrections without much loss in time.

Amateurs often either don't see their mistakes (or don't want to see them) or don't care. They just want to get the job finished and don't correct their mistakes. Consequently, their finished projects look like an amateur did it. Here is something you should keep in mind. Correcting your mistakes may increase the time to recover the sofa by a few hours or even a few days. BUT, you will have to live with sofa for years. Do you want those mistakes staring you in the face for years to come?

Cutting & Sewing the Fabric

There are at least several ways to plan your cutting that involve anything from using planning your cuts to using the old cover for your pattern. Below are two different methods to cut your fabric. Use whichever method best matches with your skill sets and your temperament.

Method 1: Measuring the Sofa & Making a Cutting Layout.

Pros:

Since you make a layout in advance:

  • You know how much fabric you will be using. You will also know much quicker if you need to get more fabric.
  • Cutting the fabric is much less stressful. You know where to cut each piece. Your cutting layout is actually a cutting plan, and you just mark and cut the fabric following the plan.
  • You can leave the old cover in place as you cut and sew the new cover. You can refer to the old cover at any time because it is still in place.
  • If you want to, when you are ready to put the new cover on the sofa, you can just remove one piece at a time and put the new cover back on that same piece. The amount of time between when you take the old piece off and when you put the new cover on that piece isn't very long. So you should be better able to remember how it came off.
  • Since you normally don't take apart the seams of the old cover, you have it to refer to if needed.

Cons:

  • On some pieces that need to be fitted, you cut the fabric twice, once from the layout rectangle size, and then cut it to shape.
  • It can be much more stressful to try to measure the sofa and to create a layout the first time.
  • Making a layout can be very tedious and take a lot of time, especially on your first time.

Measuring the Sofa

In order to make a cutting layout we need to measure every piece of fabric on every part of the sofa. (The actual pieces you measure will vary depending upon the style of your sofa.) Write down the widest point and the tallest point of every piece. Then add several inches to each measurement to allow for seam allowance and extra fabric to grab hold of to pull it. Measure all the welting. For a standard sofa, here is an example of what to measure (will vary with each sofa):

  • On the sofa deck (under the cushions) the fabric pieces that you need to measure are:
    • the Front Deck
    • Front Band
    • Front Band welting
  • On the arms measure
    • the Inside Arms*
    • Outside Arms
    • Arm Facing
    • Arm Facing Welting
  • On the backrest, measure
    • the Inside Back*
    • the Banding
    • the Banding Welting (add about 20 inches to what shows. This welting needs to be long enough to stick through the frame slots and put through to the outside. More about this later.)
    • the Outside Back
    • The Outside Back Welting
  • On the Cushions measure
    • the Cushion Faces (top & bottom),
    • Boxing
    • Welting
    • Zipper pieces

There may also be other pieces to measure that are not listed here.

*The inside arms and the inside back need special consideration. First you need to determine whether or not you will be using a stretcher cloth at the bottom of these. If so, then you will add about 3 or 4 inches at the bottom of each of these

Planning Your Cuts

Making a Cutting Layout

Here are three different ways to do a planned layout. For each of the pattern pieces just make a rectangle. Don't worry about shapes or darts at this point.

  • Pencil and paper: Use a large piece of paper (butcher paper, etc.) and draw out a large rectangle, to scale, to represent the fabric size. Then lightly pencil in the various pattern sizes, with ID marks and measurements, in the middle of the large rectangle. Erase and rearrange as necessary to get the best use of the fabric.
  • Graph paper: Scale down your measurements so that one inch equals one square (or something similar). Tape together enough sheets of graph paper to the size of your fabric. Lay the graph paper on a large flat piece of cardboard or a corkboard and use thumbtacks to attach the graph paper. You can lay board flat or put it up on the wall.  Then, for each fabric piece, Draw a dark line around the edges of each pattern piece, following the lines of the graph paper. to mark each piece to scale. As you cut each piece, mark it (i.e. IB for inside back, IA for Inside arm, OA for outside arm, etc.). Also mark the L  X  W size on each piece. When you have all the patterns cut. rearrange then on the fabric graph paper base to get the best fit. As put everything in place, use thumbtacks to hold the small rectangles of graph paper onto the large piece of graph paper. Rearrange the cut pieces to get the best use of fabric.
  • Drawing or CAD software: This is the method that I use. It is the hardest to learn, but is the easiest and most efficient to do once you have master it. It works similar to the graph paper, except on the computer. You draw one large rectangle to represent the roll of fabric. Then, using the measures from your sofa, you make rectangles to represent the cut sizes of the different parts of the sofa. Attach dimension lines to each rectangle, and label the rectangle for each sofa part (i.e. IA = Inside Arm, IB = Inside Back, etc.) Arrange the labled rectangles on top of the large rectangle to get the best use of the fabric. Then print out the finished drawing and use as a guide to mark and cut the fabric. As you cut each piece, transfer the identification marks from the drawing to the back of the fabric.

Cutting The Fabric

Assuming that you are using a plain fabric, you can railroad the fabric (cut from the side). Since you (presumably) have already did a fabric layout, just mark and cut the fabric following the your plan. You can use a carpenter's framing square to square up the fabric.

As you cut out each piece of fabric, draw a line along the top edge to identify which is the top of the fabric.Also mark an id mark on the back side of each piece. When marking the back, careful to use a marker that won't bleed through the fabric.

Fitting The Cover

You can either fit each piece of the new cover while the old cover is still attached to the frame (which is easier) OR you can fit each piece (after the cover has been removed  and the frame has been prepared for covering) as you are ready to attach it to the frame. For this tutorial, we will assume that you will use the first method.a ...

For any pieces that need to cut to shape, lay the precut pieces upside down on the corresponding pieces on the old cover (which is still on the sofa), check all around the edges that everything has enough for at least a 1/2" seam allowance. and pin it in place. Once the new fabric is anchored in place with the pins, use a marker to draw on the back side of the new fabric along the seams of the old fabric. Wherever there aren't any seams, push the fabric into the crevaces so the fold makes a right angle. Wherever appropriate, draw a line around those fold lines. Then, before cutting it, add a 1/2" seam allowances to all seam areas

a If you will be doing any rebuilding or repadding of the frame, then we'd recommend you use the second method.

Sewing The Cover

If the inside back has a cording around the front, then when you sew the cording onto the IB piece, center the cording so that the cording will protrude about 5-10 inches past the bottom edge of the IB. You will need this extra cording sticking out when you attach the IB to the frame.

Removing the Old Cover

When you have all the new cover sewn, take off the old cover. For instructions, see Method 2, Removing The Old Cover.

You have a choice. You can either take off the entire old cover at one time, or you can take only as much apart as needed at one time.

Method 2: Using the Old Cover for a Pattern

Pros:

  • You don't have to worry or stress about measuring and doing a layout.
  • Providing it fits, you can use the old cover as a pattern. This can help you make a good fitting new cover.

 

Cons:

  • You won't know if you have enough fabric until you have every last piece of fabric cut. If you don't have enough fabric, you might not be able to get more, or it might make you put the job on hold until the new fabric arrives. Since this is not a very efficient use of fabric, make sure you have plenty of fabric.
  • You won't have the old cover on the frame to refer to as you cut and sew the fabric
  • Since you take all the seams apart, you may get confused about how it all goes back together.
  • Since you won't be able to plan your cuts very well, you may cut inefficiently and therefore run short of fabric. In this case you may have to piece together together some of the scraps to make some of your pieces.

Some people use the old cover as a pattern to cut the new fabric. This method is for people who don't like to make a layout.

Removing the Old Cover

For more helping in removing the old cover, see Tear Down Methods and Using An Air Ripping Chisel

As you remover the old cover, take care to remove each piece without ripping it very much. When you start putting the new cover on, you may find it useful to look at the old cover to see how it was made, how it was folded, etc. If you just rip the old cover to shreds while removing it, then you won't have it as a guide to help you put the new cover on.

To remove the old cover, you will mainly need a hammer and ripping chisel. Other tools that you will also need are a pair of pliers, scissors, a staple remover, screwdrivers, and (occassionaly, some wrenches).

You will remove the old cover the opposite way how it was attached, removing the bottom and outside first.

  1. If the sofa has a skirt, remove that first.
  2. Turn the sofa on its back or upside down.
  3.  Remove the dustcloth (It is the one piece you can just rip off.)
  4. With the sofa still upside down, take loose all the fabric that is attached to the bottom of the sofa.
  •  
    • the bottom edges of the outside arms, outside back, and deck.

Cutting the Fabric

After you have all the old cover stripped off the frame, remove all the tacks or staples from the old cover. First draw alignment marks, with ID letters, on both sides of all seams on the top side of the old cover. Then take apart all the pieces of the cover, take apart all the seams, and iron them all flat. If the old cover is very soft and limp, you might want to use some spray starch on it as you iron it so that it will lay out flat and stiff. That will make it easier when you are trying to lay it out for a pattern. Make sure that you mark each and every piece, no matter how small, where it came from, (IB, IA, OA, etc.) or all the pieces will become one big jumbled mess that will be very confusing.

Then you'll need a large flat and very clean area to roll out the fabric. It could be on a long table, floor, deck, etc.  If you decide to make a table you might like to know that the upholstery cutting table that many upholsterers use is 60" wide. Roll out the fabric

(If at all possible, it would be very helpful to be able to roll out the whole role of fabric at one time.)

Sewing The Cover

Preparing the Frame

Keywords: 

Preparing the frame

After all the fabric has been removed, examine every place where the fabric had been attached. Clean up the frame from staples, cotton and fabric. You want to remove anything that will have a sharp edge or that will leave a bump. There are usually staples still in the wood. Remove the staples that have one prong sticking up. You can hammer flat the staples that have both ends in the wood.

While you are examining the frame, also examine the strength of the joints and boards. If the frame has any loose joints, you will need to either take that part of the frame apart or open the joint(s) up enough to glue (use a carpent's wood glue) into the joints and into the dowel holes. Sometimes you may also need to make fitted triangle shaped blocks to further strengthen the joint. After gluing, securely clamp the joints together until the glue dries. (Read the directions on the bottle of glue to find out how long to leave the clamps on.)

If you will be adding a skirt to this sofa, determine how tall you will want the skirt (6"-8" is a common height for skirts, measure to the top of the skirt welting. Then you'll want to make sure that the frame has wood to attach the skirt all around four sides. Sometimes you may need add wood to the frame to attach the skirt. However, if you need to add this wood, don't block any areas where fabric pulls through from the inside. If your chosen skirt height requires that you add wood to "pull through areas, then wait to add the wood until you have the inside of the chair finished.

The prevailing Thought

In examining and repairing (as necessary) the frame, springs, support linings, and paddings, keep in mind that each of these needs to last longer than the new fabric that you are applying. What is the point of putting a new cover on if the frame, springs, support linings, or padding will give out before the fabric wears out? So, as you are examining each of these, if any of them is not in excellent shape, you may be well advise to replace or repair them.

Springs

Most of the low to medium quality sofa have zig zag (arc) springs. This tutorial doesn't cover hand tied springs.

Test the springs for squeaks. Press down each spring and listen for a squeak. If you hear any squeak, you would most likely need to replace the spring clips at the end of the springs. (The springs clips have a paper insulation on the inside. When the paper wears through, then you have metal to metal rubber, which causes the sqeaks. Replacing the clips generally elminates most spring squeaks.

Next, tie about 4 or 5  strands of spring twine the length of the sofa. Tie the twine from spring to spring (tie both sides of the spring), attach each end of the twine to the sofa frame.

Then put new burlap over the springs. Add an insullation pad (or carpet pad) over the springs, followed by a layer of cotton.

Paddings

Paddings

Support Linings

The support lining usually consists of burlap, with jute webbing straps underneath.

The support linings hold the padding in place. It is important that they are in good repair if you want the sofa to stand up to much use. To replace the support linings you generally need to remove the padding, taking pictures and keeping a keen eye as to how the padding is attached. After the padding is off, examine how the old support linings and webbing was attached and (providing it was professionally done previously) put the new burlap and webbing on the same way. Then, either put the existing padding back on, or replace with new padding, replacing it the same as it came off.

Cushion Filling

Most modern sofas will have polyfoam in the cushion. Even the cushions had springs or something else in them, you can still put new foam cushions in them. If you will be putting a zipper in the seat cushions (which is recommended) you can always replace the foam in the cushions at a latter date). When replacing the foam, use a high quality foam of at least 2.5 lb to 3 lb. which will give you many years of service.

Attaching the fabric

Attaching the Fabric

The Deck

The Inside Arms

The inside Back

If the IB has a welt sewn around the edges, then, at the inside bottom corners (if needed) cut the fabric off the covered welting. You want the welting (including the covering fabric) to be loose from the other fabric enough so that you can stick it through the frame slot at the bottom of the IA. The welting should stick out so that you can grab hold of it at the outside arm.

The Cushion

The best time to fit the cushion is after the inside arms and inside back have been attached, and BEFORE the outside arms are attached. This will give you the ability to adjust the size of the seat area, if needed. For example, if the cushion is a little too big you can put the bottom of the inside arm tighter to increase the distance in between the arms. You can also pull the bottom of the inside back a little tighter, which increases the front to back measurement of the cushion area.

If the cushion is a little too small, then you can take the bottom IB and IA loose and let the fabric out a little. You can also stuff some cotton (neatly and straight) in back of the IA & IB padding from the outside bottom. This will decrease the width and depth of the seat cushion area.

If the old cushion is good enough condition, put it onto the deck to see how it fits. If it fits fairly well, you can take apart the cushion cover and use it as a pattern for the new cushion. If the cushion is too big or too small, make marks on the old cushion to show how much will need to be added to or cut off the old cushion cover.

The Outside Arms

If you are adding a skirt, and if you need to add wood to the area where the inside arms pull through, this is the time to add that wood.

Attach the top of the OA fabric first. Lay the OA fabric inside out over the inside arm. Attach both ends first, then straighten the top edge of the fabric as you put a few staples across the top. Now attach a cardboard strip across the top, keeping it straight. Put the staples near the upper edge of the cardboard strip.

To add padding, use burlap or other strong fabric and staple to outide arm. Add layer of cotton or bonded dacron over the burlap. (If the padding is thick, you can often split it and only use a half thickness to pad the outside arm. Also, if the sofa has a skirt, only pad the area above the skirt. The staples used to attach the skirt will hold better if you don' t have the additional thickness of the cotton

Now unfold  the OA fabric down from over the IA. Line up the weave of the OA fabric with the frame at the front of the arm, then staple the center bottom under the sofa. If the sofa has a facing staple the bottom of the OA fabric around the front of the arm. Alternatively, if the sofa uses a tack strip at the front edge, put that in now. Next pull and staple the OA rear bottom fabric, tacking up all the slack at the back and bottom of the OA..

The Outside Back

The Skirt

Incidentals

This section is about how to make the small, seemingly incidental stuff as you are recovering furniture

Status: 

Put here for a specific article

How to Make a Nail Button

Introduction: 

Sometimes an upholsterer needs to make a nail button. Although there are various other ways to make nail buttons, this method uses a standard button die to make the button.

Tools Needed: 

  • A button press
  • Button dies
  • Dykes
  • Hammer
  • needlenose or fine tip pliers

Supplies Needed: 

Upholstery cardboard or cardboard strips button tops and bottoms roofing nail (1" to 1 1/2")

How To Steps: 

To make nail buttons, you need the top and bottom button dies, a roofing nail of the correct length (aprox 1") and a cardboard strip (or other upholstery cardboard)

Cut the middle of the loop

cut back

Pull out the loop pieces



Center Roofing name inside button back

Hammer nail through center only part way ....


.... just enough to get nail through


Push nail through the rest of the way


Cut 3 pieces of cardboard to fit inside of back


Put into button press.


Center 3 layers of cardboard into press.

Put button cap and fabric into press.

Use press to make button.


Take out the finished "no dent" nail button.

Now you nail button is ready to nail onto your furniture

Making Edge Roll

IMG_6295-warmann.JPGHave you ever been in the middle of a job and realized that you needed the some edge roll for the front of your spring deck on the sofa job? It would take several days to order it in, and it is holding up the whole job. What do you do? Put the job aside and work on another job? Should you call other upholsterers in the area to see if you can scrounge some up? Why not just make your own. It's fast and easy, and you probably have all the supplies at hand:

IMG_6295-warmann.JPGHave you ever been in the middle of a job and realized that you needed the some edge roll for the front of your spring deck on the sofa job? It would take several days to order it in, and it is holding up the whole job. What do you do? Put the job aside and work on another job? Should you call other upholsterers in the area to see if you can scrounge some up? Why not just make your own. It's fast and easy, and you probably have all the supplies at hand. There are a number of ways to create edge roll. The type and size of edge roll you need will depend upon your project. Here is what I used here:

Tools and Supplies needed.

  • Webbing
  • Cotton padding, or other hard filler
  • Thread
  • Sewing machine
  • Scissors

Step 1

IMG_4117.JPG

 

Cut webbing a few inches longer than needed for edgeroll. Cut, or tear, strips of cotton. How wide the cotton strips should will depend upon how big you want the edge roll to be. For this project I made the cotton strips about 4" wide. To keep the edge roll a consistent size, cut your padding an even width.

 

 

 


Step 2

While sitting at the sewing machine, starting at the end, roll the cotton tightly in a roll

IMG_4118.JPG

IMG_4119.JPG

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Step 3

Place the cotton roll in the center of the webbing strap and fold the webbing over the cotton.

IMG_4120.JPGIMG_4122.JPG

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 


Step 4

Pushing the rolled cotton firmly into the, place the two loose edges of the webbing under the foot of the sewing machine.

IMG_4121.JPG

IMG_4123.JPG

 

 

 

 

 

 

 


Step 5

IMG_4124.JPGIMG_4125.JPGSew about 1/2" from two edges, closing the cotton into a webbing tube, wrapped around the filling.

 

 

 

 

 

 


Step 6

Take the webbing edgeroll out of the sewing machine and cut it to the desired length.

IMG_4127.JPGIMG_4128.JPG

 

 

 

 

 

 

 

 

Now fasten it in place. Enjoy! You have saved yourself a trip.

Alternative

Any type of firm filling (i.e. horse hair, etc.) can be used in place of the cotton for the stuffing. Just use whatever quality filling you have on hand.

Another type of Edge Roll

IMG_6810-bierly.JPG

 

Some types of edge rolls can be made as part of the burlap spring cover. Click on the picture and you will be taken to the album showing pictures of how it is done. If you would rather see it as a slide show, click here: Slide Show: Edge Roll for a chair.

 

 

Status: 

Much of the article/writing has been done, but need much work

Zipper Slides

Keywords: 

Putting a Slide on a ZipperZip-1 Align slide

 There are at least three ways to put the sliders on zippers. You can put the slide on the zipper before or after the zipper is sewn.

  • Method One: Put Slide on closed zipper
  • Method Two: Put slide on Partial open zipper
  • Method Three: Put slide on fully separated zipper

Any of these three methods can be done before or after the zipper is sewn to the fabric.

Putting a Slide on a Zipper

 There are at least three ways to put the sliders on zippers. You can put the slide on the zipper before or after the zipper is sewn.

  • Method One: Put Slide on closed zipper
  • Method Two: Put slide on Partial open zipper
  • Method Three: Put slide on fully separated zipper (This method is included in the description for method Two below. (see paragraph 2B)

 

Any of these three methods can be done before or after the zipper is sewn to the fabric.

Method One

This is the method that I generally use on metal zippers and some plastic zippers, such as the YKK plastic zipper.

Zip-1 Cut V

  

  

1A. Cut V on end: Chose the end that the arrows point towards. Cut a V shape on the end, at the metal teeth, cut carefully between the teeth.

  

  

 

 


 

 

 

 

 

  Zip-1 Align slide

 

 

1B. Align Slider with teeth on zipper. Put teeth of zipper inside the rear of the slider until they stop.

  

  

  

 


  Zip-1 Starting the slide

 

1C. Engage Slide Onto Zipper: Hold onto the two pointed ends of the zipper and pull them both outwards <<<  >>> (sideways) until you hear/feel a "tiny" click (which indicates that the zipper has started to separate).

 

 

 


 

Zip-1 Slide up

 

 1D. Move Slide Onto Zipper: Continue to pull the two sides apart. If the zipper doesn't move down, then continue holding onto one of the pointed ends, and with the other hand move the slide down the zipper. (If need, to get the slide to move down the zipper, you might hold onto both pointed ends (as shown in 2E below) as you move the slide down.)

 

 

 



 

Method Two

Although method shows using a #5 aluminum zipper, this way is especially useful when the slide won't go on the other end of a plastic zipper.

 

Zipper, Cutting V

2A. Notch the end: Start by cutting a V out of the end of the zipper, as shown by the arrow in the picture. Since we will be putting the zipper into the front (double opening) side of the slide, cut the V at the end at the opposite end as the Red arrows are pointing.

 

 


 

 Zipper - open end 

 

2B. Separate the ends of the zipper about 2 or 3 inches. (or, if you prefer, you may fully separate the zipper)

  

  

  


 

 Zipper - Align slide

 

 

 

 

 

 

 

  

2C. Align Slider with Zipper: Put the ends of the zipper teeth into the front (double opening) end of the zipper slide until the teeth come together and stop at the back of the slide.

  

  

  

 


 Zipper - slide on

 

 

 

 

 

 

  

2D. Pull Slide on Zipper: Grab hold of the two pointed ends of the zipper tape while you pull the zipper slide up the zipper. Sometimes you may have to wiggle the slide some, but it should go on without much  trouble.

  

  

  

  


 

 Zipper - Sliding up

 

2E. Sliding Up: Pull the slider up the zipper. As you move the slider, the zipper usually unzips in front of the slider. You may slide it all the way to the other end, or stop at any position. If needed or desired, you may pull the rest of the zipper, in front of the slider, apart.

 

  

  

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Matching Floral Print At The Seam

Keywords: 

Matching Floral Patterns

Author's Note: this is a time consuming way to match patterns. I have since learned an easier better way. Hope to write about that in the future.



To see larger pictures of those shown below, here's a slide show "Matching Seams".

Or if you just want to go to the picture album instead, click here: Picture Album- Matching Patterns

I read about this method in a sewing book once. Have been using this method ever since.
The following instructions go with the slide show, basically, you:


  • This picture shows two fabric pieces which have been placed sided by side. The pattern on the two pieces overlap by a few inches. Note, on picture (which you can see better on IMG 1616 of the slide show) I've placed two vertical lines (near the center of the picture) on the fabric only to show where the pattern lines up, DON'T draw a line there on your fabric.
  • Fold one end under by about 2" and iron a crease along the edge.
  • IMG 1629 - This step is Optional - Sometimes the crease at the fold doesn't show up very well. If this is the case: Using a pencil, marker, etc. draw a line at the center of the underside creased (careful that you don't use something that will show or bleed through the fabric). This line will help you when you are sewing the fabrics together.
  • IMG - 1630 Here's where you match the patterns: Carefully and precisely align the folded fabric over the top of the other fabric
  • IMG 1631 Space pins close to the edge of the fold every inch or two. Here you are pinning the matched patterns in place. Lean the pin sideways to get the tops as low as possible (see .
  • IMG 1632 Take the edge of the top fabric and lay the whole fabric on top of the other, exposing the underside of where it is pinned.
  • IMG 1633 & 1634 Pin the fabric edges together about 1/2" from the fold. Put the pins close together, almost like making a seam with the pins. You are staying just far enough from the creased fold to allow the space for the sewing machine foot.
  • IMG 1635 When finished pinning, fold the top fabric back over, exposing the topside pins.
  • IMG 1636 Remove those pins on the top side.
  • IMG 1640 & 1646 Take fabric to the sewing machine. Sew along the crease/mark. Careful to sew "EXACTLY" on the line.
    Remove pins. (you can remove them as you sew)
  • IMG 1651 When finished sewing, check the alignment of the fabric.
  • IMG 1650 Trim the back side of the seam to have about 1/2" to 3/4" seam allowance.
  • IMG 1658 Lay fabric face down on a padded table.
  • IMG 1659 Pin each end of the seam, stretching it tight.
  • IMG 1661 & 1662 Iron the seam allowances flat, each on it's own side.
  • IMG 1664 & 1665 Turn over and inspect. These two pictures show both a wider view and a close up view of the matched seam, which runs vertically through the middle of the blue flower
  • Finished!


Another way, similar to the above, use Elmer's purple glue instead of the pins.
Sewing matching repeats

Matching a Non-Reversible Plaid

Keywords: 

When reupholstering a piece of furniture in a plaid, the upholsterer tries to match all the stripes in both directions. However, when working with a non-reversible plaid, this becomes especially challenging. An uneven plaid has the non-reversible horizontal and vertical stripes. This means the plaid stripes won't match at any joints when the fabric has to be put on upside down. Then the challenge begins,"How do you match a plaid when the stripes don't match upside down?" In addition to that, because the upholsterer thinks that all the stripes should match in all directions, he/she may also think that the client expects the stripes to match in all directions. This makes a challenging job a lot more stressfull.

First thing that you have to do is "Get rid of unrealistic expectations!" You can't do what is not possible. You are stressing out over what you expect, but which isn't possible. Perfectionism will stop you every time.

Now, what can you do. I like to do some planning and prep work before I start a challenging job. This would involve thinking out and laying out what can and what can't be done. Once you've done the layout work, and the writing (as described below) you'll have a better idea of what can be done, and how to present it to the decorator.

Yes, you can match the stripes, but not in the way that you would like to. First you have figure out what is possible. On the fabric pick out the most dominant vertical and horizontal stripes. Use them as your center. (sometime you will use a particular stripe as the center, and sometimes you will center between those stripes. Now unroll the fabric enough so that you can fold it to put the upside down edges against one another. Line up your chose dominant stripes and see how they align upside down. Then try moving the alignment one way and the other so see what stripes might look best when matched upside down. Do this on both the vertical and horizontal stripes.

Once you have how the pattern might line up upside own, then I would lay the fabric on the sofa on the various challenging spots, taking pictures as I go. Unroll fabric enough, and fold it, so that you get a semblance of how the inside and outside arms will flow together. What I mean by that is, for example, lay the fabric over the inside arms and then unroll the fabric enough so that you can put a piece of the fabric on the outside arms, pin both in place enough so that you can get some pictures. Do this all over the sofa at each place where two fabrics will come together.

Next, write up a clear description of what you can do and what you can't do with the fabric on the sofa. Perhaps say something like, "Front of sofa and top of cushions will match, but outside arms, etc. won't match." The writing should be specific enough to tell what you can do can't do, but vague  enough so that it will give you some leeway. Once you have it written up, I might have the customer or designer sign it. But even if you don't have her sign it, it will help you to talk more confidently when you talk with the client or designer about what you can and can't do.

Once you have an idea of what is possible, I would call the customer or designer and have her come out to you shop to see the fabric and the sofa. show her the pictures and explain the situation. If necessary or if helpful, lay the fabric on the sofa as you did previously for yourself. Tell her what is possible. Ask what her thoughts are. Work out the details of what the job will be. Write down what the two of you agree upon. Be realistic with her. don't agree to do anything that isn't possible. (The advantage of doing all the prep work explained above is that you'll be better prepared in discussing the job with the designer. You'll also have a better idea of what you can and can't do so (hopefully) you won't get yourself in a bind by promising something that isn't possible.)

Recover a Vinyl Dining Chair Seat

Tools Needed: 

Heat gun (or hand held hair dryer, or portable heater)

heat guh

Note, a heat gun gets very hot,

hot heat gun

Before using any form of heat on vinyl, please read this article on heat guns.

 

 

Editing Status: 

Put here for a specific article

Rejuvinating a Feather Pillow

Keywords: 

What you can do depends upon the condition of the cover and of the down & feathers inside. Are the feathers lumpy or have they just lost their fluffiness? Are you wanting the cushions to more fluffy, or to be more supportive. One problem with feather sofa or chair cushions is they might not have enough body to them and so you can just sit right through them.

To fluff them up you can either clean them, add to them, or replace everything. First, check the condition of the ticking cover, see if the seams are are tight or if any feathers are coming through. Make a new ticking cover or fix any holes in the old ticking before you clean them, you can take them to a dry cleaner. Or if you decide to wash them, put two of them in the load to counterbalace them. (This only applies if the cushions are small. If the cushions are large and thick, washing them might be a good idea as they might just get soggy in the middle and might take a lot to get them to dry out in the middle). In the drier put a couple of clean tennis shoes, which will help fluff them and break up the clumps. Also, make sure you dry them completely.

If they don't need to be cleaned, then you may just need to add more feathers. If you add more feathers you can just use some of your feather pillows, or you can go purchase some feather pillows. You can also purchase more down/feathers from an upholstery supply outfit, but you usually have to purchase a large bag of them, which is pretty expensive. That's why I suggest purchase feather pillows. YOu can often get them much cheaper than buying just the feathers.

Another way to add more body to a feather pillow is to add a foam core to the middle of the feather pillow. you can watch this video, which will show you how a foam core feather pillow is constructed, and it will show you about making and using an air bazooka to stuff more feathers into your cushions. Also read this thread: Down Feather with Foam Insert.

Another possibility, if the feather pillows are quite old, is that the feather might have just disintegrated. As an example, I remember back some years ago when my wife wanted me to recover her favorite feather pillow, which she had since childhood. When I opened it up the feathers inside had completely disintegrated into a blackish yucky mess. I ended up making everything new for her. Down and feathers, like anything else, don't last forever. If the cushions get in too bad of shape, sometimes it's just better to make new ticking covers and replace the filling with new feathers/down

 

References:

Washing Feather Pillows

How to Fluff Couch Cushions


Status: 

Much of the article/writing has been done, but need much work

Shaping Foam

Keywords: 

Occassionaly some jobs require unusual or rounded foam shapes. Cutting foam by hand often leave the foam with rough shapes. Some foam companies will cut your foam to the shape want.  Sometime you want a specific shape OR you may not want to go through all the trouble to order the foam to a particular shape. OR you may want to fit the foam to a specific shape that is not easily defined or measured. You may only need one piece.

For whatever reason, you may decide to shape the foam yourself. This is done fairly easily by gluing layers of foam together into the desired shape. Although the thickness can vary according to the size needed, I generally use combinations of 1", 2", or 3", etc. to get the shapes.
While these are not exactly what you have, it will give you some ideas. Here a wing chair that I glued foam together .....

 
(Click on pictures to enlarge)
... to get the top of the headrest to be rounded...

To see more pictures, click here.

As shown in this picture,


 I often glue a stretcher cloth on top (at the sides or ends) of the last layer to pull it down and staple to the frame.

Here is another example
Depending upon the shape I want, will also cut the edge of the bottom layers of foam at a slant, as in this picture.

Depending upon the application, I either leave the slanted edge on the top side, OR I put the slanted sides on the bottom, as in this picture:

By putting the slanted edges on the bottom, this increase both the top curve and makes for a smoother top edge, such as in this picture:


 Then finish it off with wrapping a layer of 1" to 1 1/2" around and over the top, as in this picture.


 This top layer of foam smooths everything out and makes all the curves flow around.

On this sofa, because I put a edgewire on the front edge of the springs, the front edge farily sharper. If you wanted a more rounded front or top edge, pull the top layer of foam tighter, which rounds everything more.
It is also important that the underlayers are as smooth (no hollow spots) as possible, but they don't need to be perfect, just reasonable. Before you top the top layer of foam on, carefully inspect the underlayers to make sure there are no bulges or hollow spots. If find any spots where you cut too much of an underlayer out, just glue a thin layer in the hollow spot. If you do a reasonable job of smoothing out the foam, everything will be hidden once you put the top layer of foam on top.

To see all the pictures of this job, click here.
To see all the pictures as a slide show, click here.

Status: 

Much of the article/writing has been done, but need much work

Stain Removal

Keywords: 

Stain Removal 

Some good sources for how to remove stains

How To Remove Blood From Carpet

Laundry Stains 101

Status: 

Writing has been started, but not much on it

Taking Apart A Lazyboy Recliner

Keywords: 

Under Lazyboy

 

A Question was asked about how to get the seat out of a Lazybor recliner

 

 

 

There is a pin on each side at the front of the underside of the seat. To see it, look under the front of your lazyboy here (look clear up to the bottom of the seat):

Click here to enlarge picture.

 



 

Look way up inside near the front of the seat, next to the arm and you will see a flat curved black metal arm the connects to at pin, which is held in place by a screw, as shown in this picture (look for the tip of my finger):

Click here to enlarge picture

 

 
Take the screw out of the pin, then pull the pin out (towards the middle of the chair, in the direction away from the arm. This will free that flat arm from the underside of the seat. When you have the pins of both sides taken out, you should be able to lift the front of the seat up high. Now you will be able to see the screws that hold the back of the seat to the arms. Take out those screws (bolts) and then the seat will come out of the chair. Now take those brackets off the bottom of the seat. If you have a digital camera, I would recomment that you take pictures of each piece as you take it apart. That way you can remember how to put it back together. But if you can't take pictures, perhaps we can still help you put it back together. I've  done countless lazyboys over the years.

Taking The Back Off of a Lazyboy Recliner

Keywords: 

(note: you can click on any picture to enlarge it.)

The situation, you have a lazyboy recliner and you need to move it.  Because of their unique recliner mechanism, this proceedure will only work on newer Lazyboy recliners. (Older Lazyboys don't come apart like this.) Newer Lazyboys are built to come apart easily. Turn the recliner around so that you are at the back of the recliner.

lazyboy outside back


 

Get a standard flat screwdriver, and you may also need a flashlight. Look in the crack between the arms and the backrest. Using the flashlight (if needed) find the metal bracket.

2


 

The braket has a short lock lever. Put the tip of the flat screwdriver under the downward pointing end of the lock level and lift the lever all the way up so that it will be pointing upward.

  3


 

After you have unlatched both sides, then you can use your screwdriver to gently pry up both sides of the backrest. After you have it pryed up a little, stand behind the chair, grab ahold under the overhang section (as shown in picture below on right) ......

  5   6



 

 

 

...... and lift the backrest section out of the chair. This makes the chair much easier to transport. You can carry each piece separately.

  7


Status: 

Much of the article/writing has been done, but need much work

Upholstery Sewing

Blank Page

Status: 

Put here for a specific article

Making Cushions

Blank Page

Status: 

Put here for a specific article

Webbing on a Sofa Bottom

No, it doesn't matter whether you put the webbing on lengthwise or crosswise first. I generally attach the webbing right underneath where the row of springs go. The webbing will cross right underneath each spring. Use a webbing stretcher to stretch the webbing tight.

Welted Dining Seats with pattern

Keywords: 

Sewing the Dining Seats

Basic Instructions

Use 5/32" cording (mine is jute, but any regular 5/32" upholstery welt would do.)

Cut the welt fabric strips (that wrap around the welt cord) 1 1/2" wide. (if the welting (meaning, both the inside cording and fabric strips). My ruler is 1 1/2" wide, so I just lay it on the fabric and trace both sides of the ruler. This naturally leaves the welt strips 1 1/2" wide. When marking multiple welt strips, to mark

This article is just started, so isn't complete. Will be added to in the future.

Measuring and Cutting the Side Boxing

 When I cut the side boxing, I cut it about 2-3" taller than the finished height.  For example, if the finished height of the side boxing is 2", this is how I'd chose the boxing width (height). 1/2" top seam allowance + 2" finished height + 2" pulling and stapling allowance = 4 1/2" boxing width (this is approx., it could even be wider if needed). (I cut it this wide so that I have something to hang onto and pull with at the bottom of the seat base.) I then sew the side boxing and the welt onto the seat top.   

 I put the bottom welt on separately. Even if it was done that way before,  I do not sew the welt on the bottom of the side boxing.So, when I'm putting on the sewn seat cover, I'm only stapling one thickness at the bottom of the seat. I sew the bottom welt separately, which is put on separately after I have the rest of the seat stapled on.

Sewing the Dining Seats

Basic Sewing Instructions

Use 5/32" cording (we main use jute cording, but any regular 5/32" upholstery welt would do.)

Cut the welt fabric strips (that wrap around the welt cord) 1 1/2" wide. My ruler is 1 1/2" wide, so I just lay it on the fabric and trace both sides of the ruler. (If you would like to use this easier marking method, you can use any 1 1/2" wide wood or metal strips) This naturally leaves the welt strips 1 1/2" wide. When marking multiple welt strips at the same time, lay one edge of the 1 1/2" wide ruler along the edge of the previous mark, then draw beside the opposite edge of the ruler.

Sew seams at 1/2". (Wrapping the above welt fabric strips around the 5/32" cording, this seam allowance naturally happens. No trimming is needed.)

 

 

 

Starting at the back of the chair seat, leaving a several inches of the welting free, sew the welt around the edges of the seat top. It goes faster if you put the cording into the welt strips at the same time that. (This picture shows starting at the front, but this is because we are matching a pattern. We would normally start at the back of the chair.)

 

 

 

 

 

 

 

 

Sewing Corners
    When you come to the corners, you might want to just "walk" it the last few stitches before the corner. To walk the machine, press on the foot pedal just slightly, which will loosen the clutch, then use your hand to turn the hand wheel at the right of your sewing machine. Just turn it the last few stitches  before the corner. When you come to within about 3/8" of an inch of the corner, leave the needle in the fully down position so that it holds the fabric in place and "lift the foot" while you turn the fabric to sew around the other side of the corner. (all this is shown on the slide show, but since there is no sound, you have to know what you are watching for.)

Putting Fabric on the Frame

Rick, it shouldn't make any different in appearance which way you do it. Besides having the seat tops being the same size, the main thing is that you want to have the same height between welts on the side of the chair. To get a consistant height all the way around all the chairs, I use an adjustable square, as shown in this picture.


Click here to enlarge picture

To get a consistant height, measure the height of one of the chairs you have already finished. (Put the flat side of the square against the bottom wood base one of your finished chairs. Loosen the tightening nut, and then slide the ruler section down so that the end of the ruler is at the seam (which is also the inside edge of the cording.) When you have the correct measurement, tighten the nut on the square).

Now, as you pull and staple around the edges of the seat cover, put the square on the fabric (as shown in picture) before you staple it.

However, before you start putting it on, here  are some pictures of putting a cover on. (I have the pictures for the above chair seats, but don't have them on my website yet. But have these other pictures that will work in showing how it is done.)

Click here and See Pictures 6636 through at least 6674

Instructions, as also shown in the pictures:

  • Put sewn cover on seat, line up all corners.
  • Set elbow firmly on top of seat to hold in place. (keep elbo there until two opposite seat covers are in place.
  • Pull first cover down over corner, check that center of fabric cover is lined up with center of wood corner.
  • Use Square to measure height, then staple.
  • While still firmly holding the center of the fabric cover on the seat, turn the seat around so that you are working on the diagonally opposite corner. Put your elbow back on the middle of the seat, and pull the second corner over the side, measure and staple. Now that you have opposite corners fastenend, the cover will stay in place now.
  • Pull over, measure and staple the two remaining corners.
  • Check all the corners that the centers are all lined up.
  • On all the rest of the instructions, you will be working always in the center areas: Go to the center of the loose area, Center any looseness (if any) of the fabric in the center of the wood base. You should always have  an even amount of any loose fabric on both sides of where you staple.
  • Using this centering method, pull and measure the areas in the center of the seat sides. Pull, measure, & staple every few inches in the center of one side, then do the opposite side.
  • After you have a few staples on all sides, check that they all measure the same and are straight.
  • Then pull, measure, and staple the rest of the fabric.


 

Note: This tutorial is just in the beginning phases. Please help me improve it. If you find anything unclear or hard to understand, please leave a comment* at the bottom of this page. (*You need to register on thie website and then sign in to leave comments.)