The links to the upholstery process are below.
There are some basics to the upholstery trade that apply to just about any and all furniture. Once you learn the basics you can tackle most jobs that come your way with confidences and skill. These basics (or secrets) are really quite simple, but they often take years to truly master. The more you study and apply yourself to learning the basics, the quicker you will develop skill. Skill in upholstery in nothing more than applying the basics to the various aspects of upholstery. Theoretically I could make a video tutorial on every type of upholstered furniture imaginable, and that could be up in the thousands of videos. However, just thoroughly learning, understanding, and applying the basic principles of upholstery would enable you to tackle almost any type of upholstery job. This project (of my laying out and (hopefully) making videos to teach these basics) is in its beginning stages. The first part of this project will be my making a list of all those basics that I need to cover.
A List of the Basics that I need to make tutorials on:
How to pull fabric evenly using:
how to use a stapler
How to use a staple remover
Tack strips
hand sewing
Most furniture frames have sharp edges When the cover is off the frame, take time to run a heavy metal object (such as a hammer head) over all the edges to dull the sharpness. This helps to keep the fabric from being cut on those sharp edges.
fold corners
welting, seam edge all flat on one side
put on dust cloth
When you are measuring the furniture to figure what size to cut the fabric:
Write down your measurements on a pad
For the key to the abbreviations see this page.
No matter what type of marker you use you must be very careful when you mark the fabric. If you make a mark in the wrong place you might not be able to get the mark out of the fabric, causing wastage of the fabric.
Before cutting the fabric, square up the ends with a square. If
When using the standard 5/32" welt, cording is generally cut 1 1/2" wide. If the fabric doesn't easily unravel, the cording can be cut lengthwise up the roll. If the fabric unravels easily, then the welt fabric should be cut diagonally, which prevents unraveling.
Before Anchoring the Fabric (see below), lay the fabric on the furniture. Center the fabric in place, check all edges to verify that all edges reach and overlap the edges by a couple inches.
After aligning fabric, tack the fabric in place with just a very few staples, using one of the below Application Patterns.
Body mechanics: How to take care of your body (hands, feet, eyes, back, etc) while you are doing upholstery.
Use a paper or a stiff paper pattern to fit the cushion to the chair size. As you make the pattern, add the normal 1/2" seam allowance all around. Add an additional 1/4" crown allowance to the sides and the front, but leave all the corners their actual size plus the seam allowance. (Don't add the 1/4" crown allowance to the corners.) Since each spring in the spring unit is approximately 3 inches in diameter, you probably won't be able to get an exact size unit to fit the chair. It is common to fill in padding around the edges of the springs to fill up the area that the springs don't fill. Many time cotton is used to till the area around the springs. In this particular spring unit we used foam scraps to fill in the area around the springs. Because this cushion was extra deep we use a thicker piece of foam on the front and the back. You'll need to add however much foam or padding is needed to fill up the distance around the springs. Starting with a Marshall spring unit that is the right size for your chair:
Skills Or Knowledge Needed:
Tools Needed:
Supplies Needed:
How To Steps:
Making a Pattern for the Cover
Building The Spring Unit
Specifications of Finished Cushion
Descriptions
Specifications
Cushion boxing
Cut 5 inches wide, 4 inches finished
Marshall spring unit
4" tall, 6 springs X 6 springs (18" X 18")
foam at side of springs
1" thick X 3 3/4" tall X23" long
Foam at front and back of springs
2" thick X 3 3/4" tall X 18 1/2" wide
Cotton
2 layers wrapped entirely around
Thickness of finished cushion at center
About 8 inches
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There is an art (with some careful details) to making and mounting a tailored skirt so that it hangs properly. Here are a couple pieces of furniture to show you what a tailored skirt looks like. Here is a wing chair with tailored skirt.
(Click to Enlarge)
Here is an example of a sofa with this same type of skirt method:
Many upholsters sew the skirt into one unit before attaching it to the furniture. They sew a welt, then sew each skirt panel with lining on the back, sew the panels and flaps onto the welt and then put the whole skirt onto the frame all at one time. I had used that method for years and never was quite satisfied with the way the skirts hung. Unless the sewing is very precise and the sewing machine is properly adjusted, sewn-in lining often makes a skirt hang unevenly.
In contrast, the method of this tutorial involves layering the pieces onto the frame separately. the welt is sewn and attached to the furniture first. then the skirt panels are folded in half horizontally and sewn and attached over the top of the welt. Lastly the under flaps are attached at each corner. I find that, since the bottom of the skirt is a fold instead of a seam, it hangs much straighter. I can get the skirts to hang much flatter and evener by putting one piece on at a time.
Although this tutorial explains the process of making a skirt one step at a time, we measure all the pieces of the furniture and do a cutting layout before we start the job. However, that is not part of this tutorial.
The skirt is usually the last thing to be put on the furniture. It is put on when the rest of the piece is almost finished. To make it easier to attach the skirt you should prepare the frame. When the old cover has been removed and before attaching the new cover you should determine the height of your skirt. If you will be attaching a skirt to a piece of furniture that previously did not have a skirt you may have to prepare the frame a little. For instance, if you decide that you want a 7 inch tall skirt, then you need to measure that height (plus 1 inch = 8 inches in this case) all the way around the furniture. There needs to be wood to attach the skirt. Sometimes you have to add some wood in some areas of the frame. However, be careful that you don't block off the pull-through slits where you will be pulling fabric through. In this case if filling in the wood at skirt height will block off the pull-through slits, then don't add the wood until after you have attached the fabric on all the inside of the chair. In this case, you would attach the skirt wood just before you attach the fabric and padding for the outside arms and outside back.
When recovering a piece of furniture, a support lining and padding are added to the outside arms and the outside back as well as to the inside. However, when adding a skirt, the padding is left off of bottom area (all around the furniture) where the skirt will be attached. Depending upon the length of the skirt and how tall the legs are, you will not put any padding the last 2 to 6 inches up from the bottom all around the furniture.
Although you will usually cut the fabric for the skirt at the same time as you cut the rest of the fabric, I will only mention the fabric for the skirt at this time. A cording is placed at the top of the skirt. To determine the length of the cording, measure all around the bottom of the furniture and add about 5" to that measurment. The cording is cut 1 1/2" wide by that length.
The front and the back of the skir panel is made all in one piece. It is basically a long piece of fabric tha is folded in half with the ends sewn up.
In determining the cutting sizes we need to determine several measurements.
All these measurements assume that you are using a plain or a non-matched pattern. If you are matching a pattern, then you will have to adjust the sizes.
Skirt Length: The average skirt is aproximately 5 1/2" to 7" tall (although some can be much higher). Again, these measurements are arbitrary. The actual length can be any that the client likes. A simple method to determine the skirt length is just measure the height of the old skirt (if there is one). For this example, let us assume that we will use a skirt length of 7".
Clearance Under Skirt: The clearance of the bottom of the skirt off the floor is arbitratry. Actually you could have the bottom of the skirt setting on the floor, or 1/2" off the floor, or an inch, or two inches or more off the floor. Years ago I arbitrarily decided that skirts should be attached so that the bottom will be 1/2" off the floor, and that has worked out quite well. The examples give here will use this 1/2" measurement.
To determine what is best for your particular job look at the floor where the furniture will be located. If it will sit on a carpet, get a ruler and stick the end down into the carpet. Measure how tall the pile is. Add 1/2" to the pile height. For example, if the pile height is 3/8", add that to 1/2" (3/8" + 1/2" = 7/8"). So the bottom of the skirt will be a theoretical 7/8" off of a bare floor - 3/8" carpet pile height = 1/2" above the top of the rug.
Cutting Height: As a reminder, our skirts are self lined with the same fabric on the front and the back. To get our cutting height, add 1/2" seam allowance to our skirt length of 7" = 7 1/2". Double the length of the skirt (i.e. 7 1/2" X 2 = Cutting height of 15"). So now we know that our skirt panels are to be cut 15" high.
At the height where you will be attaching the skirt, measure the width of each side of the furniture frame (i.e outside arms, outside back, front). Add 2 inches to that measurement. (For example, if (at the height of the skirt) the outside arm measures 30" wide, add 2 inches to that measurement = 32". (Theoretically you only need 30" frame width + (2 X 1/2" seam allowance) 31", but I like to have an extra allowance to play with in case I measured wrong).
Skirt Panels: So, for this example, using the above measurements, the cutting size of the Skirt for the Outside Arms would be 32" wide X 15" tall (Which would be 30" X 7 1/2" after it was sewn and trimmed). Use the same above method for figuring the sizes of the other pieces. After you have cut all the pieces, it's time to fit them to the frame. With the face of the fabric facing the frame, hold each panel up onto the furniture frame in the position where it belongs (i.e. outside arm, front, etc.). Mark both ends on the backside of the panel where the corner will be, adding about 1/8" to the width.
Under Flaps: After the skirt panels are attached (see below) these are attached under them to cover the gaps between the panels. These are cut about 9 inches wide (size can vary) by the skirt height plus 1/2".
Cording: First sew the skirt cording separately (wrapping the welting strips around the cords) and set aside.
Skirt Panels: Fold each skirt panel inside out lengthwise so that each piece will be the right finished height (as in our example) 7 1/2". Use a small square to extend the corner marks on each end of the panel where the seam will be. The sew the end seams and turn inside out. Go to the frame and hold the skirt panels in position to check the fit. If they fit OK, then trim the inside seam allowance off at 1/2" from the seam.
Under Flaps: If you have a serger, serg all for sides of each flap. Then hem (fold over 1/2" and sew) the bottom. If you don't have a serger, then sew a rolled him on the bottom and side edges.
Attaching the Welt: Assuming that you have the rest of the chair covered, and after you have cut and sewn the welt, it is time attach it to the frame.
Determine Cording Height: Put the chair on a perfectly flat table and make sure all the legs are fully touching the table. This is done with the legs on the frame. Before attaching the skirt welt, you need to determine how high to attach it to the frame. The easiest way to do this is to take your sewn welt and a sewn skirt panel over to the frame. (Bring a short ruler or tape measure with you.) Fold the top 1/2" of the skirt panel over. Hold the cording on the frame at an approximately appropriate height. Now place the folded top edge of the panel up under the cording (on the cording seam allowance). Holding those two together, check the clearance between the bottom of the skirt panel and the table top where the legs of the frame are sitting. Move the top up or down until you get an acceptable clearance under the skirt. (See "Bottom of Skirt" above.) Now measure the height of the top of the cording to the table top. This will give you the height to attach the cording to the frame.
Attaching the Cording to the Frame: Starting on the back of the furniture (using the ruler to measure the correct cording height) attach the sewn welt to the back corner of the frame first. Leave at least several inches of the welt loose, so that it can be joined later. Then go to the front corner, measure height, pull the welt snug and staple the welt at the corner. Go from corner to corner clear around the chair, measuring the height, pulling tight, and stapling. Don't worry about attaching the center of the welt until you have attached the welt to the corners all the way around. Join the welt on the back corner. Then measure and staple the welt at the proper height all the way around. Before doing the next step, carefully inspect that the welt is put on straight and at the correct height on all sides.
Preparing the Skirt Panels: At this point, the panels will have a fold at the bottom and a seam at each end. The top will be the raw edges of the inside and outside of the panel.
If the fabric can be ironed (test on a scrap of fabric, and don't iron velvets), iron the panels, and crease the edges. If the fabric can't be ironed, then just try to crease the edges. with some fabrics you can steam the the panels and edges.
Attaching the Skirt Panels: Before you start, make sure the panels have been turned right side out. Then take each skirt panel over to the furniture frame. Hold the panel upside down with the right side of the panel against the outside arm upside down over the cording that has been attached to the frame. Align the raw edges on the downside of the skirt panel with the raw edges on the downside of the cording. (Most of the skirt panel should be above the cording on the frame.) Making sure to align the edges of the panel with the corners of the frame, put a staple or two into one end the skirt panel close to the corner. Then gently pull the other end of the skirt panel sideways to the other chair frame. Careful not to stretch fabric, you are only pulling out any looseness. Then put a staple or two near the end of the panel. At this point, both ends of the panel should be attached to the frame. Both ends of the panel should be even with the corners of the frame. If either end, or both are not even, the take loose and reposition. At this point it is important to get the ends lined up with the frame corners.
When you are sure both ends of the panel are properly aligned with the frame corners, it's time to attach the center of the skirt. Again, aligning the raw edges of the panel with the raw edges of the attached cording, put several staples across the panel into the seam allowance of the cording. At this point the entire top (which on the bottom at this point) of the skirt panel should be attached to the frame. Now let the panel fold over and drop down into place. Check to make sure that the top (and the bottom) all hangs evenly. If any part of the skirt panel is hanging unevenly, this is the time to take that the staples out of that part and reposition the panel and restaple.
Go around each side of the frame and attach the skirt panel in the same way. As you attach each panel, it should be touching the skirt panels on each end. When you have all the skirt panels hung, check that they all are hanging smoothly, that all the corners come together, and that the bottom corners of all the panels are even with the adjacent panels.
Attaching the Under Flaps: After you have checked that the panels are hanging smoothly, fold the panels back upward. You will need to pin them up so that they stay there while you are attaching the Under Flaps. Now put one of the under flaps upside down, with the top down and the face of the fabric towards the fabric, on the corner covering the end of the panels. Center the flap on the corner and staple it in place. Move the edge that is on the top (which is the bottom) so that it is about 1/2" lower than the skirt panels. (This will prevent the bottom hem of the Under Flaps from hanging lower than the skirt panels.)
Applying the Cardboard Strips: The last thing to apply to the skirt is the cardboard strip (sometimes called a tack strip) to hold the top of the skirt in place. With the Skirt Panels and the Under Flaps still raise up, place the cardboard strip overthe raw edge (Which is now at the bottom) of the skirt. Feel through the layers of the fabric for the cording. Place the strip snugly against the bottom of the cording. Space your staples horizontally about 3/4" near the top of the cardboard strip. Check your work as you go. After you have put a few staples in place, fold down the skirt to make sure the cording shows with the top edge of the skirt tighly against it. Then continue. As you staple around each corner, stop and fold down the skirt to check your work. When you are finished, fold down the skirt and enjoy.
When you are finished, you may want to pin the corners of the panels to the under flaps. Pin it on the back side so they don't show and won't wrinkle the skirt. Remove the pins before giving the the customer.
Have you ever wanted to reupholster your sofa? Let this tutorial help you get started. It gives you a plan to work by.
This article is in process of being written. This is just a rough draft. Come back later to finish reading the full article. In this day and age there are many shapes and styles of sofas. No one tutorial can successfully teach how to do all the details on all the various styles of sofas. This overview tutorial covers only a general basic upholstery process. It does not cover special components, such as attached pillows, channels, button-tufting or any of the other fancywork. My first bit of advice is, if you have never done any upholstery before, stop. Do not do your sofa yet. Sofas are usually front and center in your living room. Start with some smaller and simpler projects (dining chair seats, small side chairs, etc.). The ability to work with basic hand tools: hammer, pliers, screwdrivers, squares, how to read rulers and tape measurers Know how to use a sewing machine. To Learn about the terminology and abbreviations used in upholstery and in this article, go here: Upholstery Terminology & Abbreviations. For an additional list of tools, go here: Basic Upholstery Tools. For an additional list of Fixtures, go here: Shop Fixtures. If you are replacing the cushion filling, then you will need one or more of these: Thinking out and planning a job in advance (as much as you are able) often makes a big difference in how a job turns out. It is so easy for a beginner to want to get started before he/she even knows what he/she will be doing. As much as anything, this tutorial will help you examine what you will be doing and help you in the planning process. Just because you have a sofa in your house doesn't necessarily mean that you should reupholster it. It takes a lot of work and a fair amount of cost to reupholster a sofa. Make sure that you like your sofa before making the decision to recover it. If you do you like your sofa, then skip the section below about finding a sofa, but read through the other sections below about accessing the style and condition of the sofa. If you really don't like your sofa, then you may want to find another sofa to recover. Each sofa style will take a different amount of work. If you are just a beginner, you may want to chose a very simple sofa style to begin on. If you have never done any upholstery before, we'd strongly suggest that you do some small simpler pieces of furniture before starting on a sofa. As we inspect the frame, springs, and support linings, one of the primary principles we keep in mind is, "will it last the life of the new cover?" This will be our guide as we try to determine what to fix and what to leave alone. Check the frame. Try to wobble all parts of the frame. wiggle the arms side to side, grab ahold of the top of the middle backrest and try to pull it towards the front and then push it toward the back. Try to wiggle all parts of the frame. Listen for squeaks and watch for frame wobble and loose joints. If the frame is wobbly, it can be fixed, but it ads some extra work. To fix loose joints often requires that you take everyting off the frame (fabric, padding, springs, etc. so that the joints can be opened up reglued, make triangle fitted corner blocks and reglued. You will also need to have some woodworking clamps. If you or a helper can do wood joint repairs, then you might be OK. But, if neither you nor anyone else is comfortable with doing the frame repairs, you might want to pass us any sofas that have loose jointed frames. Sofas general have one of these types of springs: Hand-tied coil springs, which are among the best types to have. If tied propery, coils springs give superior support and comfort. Much of the time yoiu can determine is the sofa has hand tied springs by putting your hand under the sofa and pressing up. If you feel a firm spring support underneath at the bottom of the sofa, it may be hand tied springs. A sofa with hand tied spring generally has webbing across the very bottom of the sofa, with the springs pressing down against the webbing. This gives the bottom of the sofa a firm "full" feeling. When this type of set needs retieing, the bottom often sags down because the webbing stretches as it gets older. Also, the top between the springs will feel loose. Arc springs (commonly called zig zag springs). If, when you feel the bottom of the sofa, all you feel is Machine wired coil spring Rubber or Elastic Webbing After you have the sofa all taken apart, it can be quite confusing to try go figure out how all the assorted pieces get put back together. "Better to have the pictures and not need them than to need them and not have them." In this modern day of inexpensive digital cameras, it is nearly essential that every do-it-yourselfer (and professionals) have one within arms-reach, and use it constantly, throughout the whole process of recovering the sofa. If this is your first sofa that you will be recovering, choosing a good fabric will help you do a better job. It is easier to work with a medium to heavy weight upholstery fabric. Intended use: Lifestyle of users: As you are determining the yardage amounts, be sure to allow an extra amount for making mistakes. Even professionals make mistakes, and as an amatuer you also will make mistakes. Depending upon your skill level you might add approx 25% to 50% additional fabric above any already generous amounts. As your skill improves you will need a smaller allowance. Even professionals commonly add an allowance of 5% to 20% more fabric for mistakes, fabric flaws, etc.. It is far better to end up with extra fabric than it is to run short of fabric for a job. Sometimes the fabric store or wholesale supplier may sell out of your chosen fabric. That could be a disaster, or at least a challenge. Now, to answer the question, "How many yards will your sofa take". Look at one of the upholstery yardage charts that you will find here. We all make mistakes. Even professionals make mistakes. One of the biggest difference between a profession quality job and an amatuer job is that the amatuers don't correct their mistakes. On the same vein, correcting your mistakes will improve your skill more than just about anything else. Correcting mistakes is often not dun and easy. Sometimes it involves taking a lot of the job apart. However, when you are in the mindsed to correct your mistakes, and you actually do correct your mistakes, your awareness increases dramatically. After you've corrected a lot of mistakes you begin to watch the quality of your work as you do it. Many professionals catch their mistakes as they begin to make them, and can make the needed corrections without much loss in time. Amatuers often either don't see their mistakes (or don't want to see them) or don't care. They just want to get the job finished and don't correcte their mistakes. Consequently, their finished projects look like an amatuer did it. Here is something you should keep in mind. Correcting your mistakes may increase the time to recover the sofa by a few hours or even a few days. BUT, you will have to live with sofa for years. Do you want those mistakes staring you in the face for years to come?
Introduction:
Skills Or Knowledge Needed:
Tools Needed:
Minimum Make-Do Tools
Fixtures
Supplies Needed:
How To Steps:
Advance Planning
Assessing a Sofa to Reupholster
Sofa Style:
Assessing the Condition of the Sofa:
Check the condition of the frame
Determining the type and condition of the springs:
Take Pictures
To the observant, the sofa itself will tell you how to put it back together. The pictures that you take and the old cover will show you far more than this tutorial about how to put it back together.
Before you start removing old cover, take pictures from all sides: front, with the cushions and without the cushions, back, side, bottom. Take pictures that include the whole sofa, take closeups that include just the arm, take extreme closeups that include any special detailing, such as folds on the front of the arms, etc. Take pictures throughout the whole process, from stripping the old cover off, taking the seams apart, cutting and attaching the new fabric, until you have the sofa finished. As you unsew seams, take pictures of how the pieces looked before you took them apart. (Be sure to mark the pieces, as described under Method 2: Cutting the Fabric.) Your pictures should also include showing how the folds are made, the type of padding, the support linings, and anything else that you may need to know. Take more picture than you think you will need. Be thoughtful of how you frame the pictures and what you include in the pictures. Once you have the old cover removed, your pictures will be one of your main reference points. The other main reference point will be looking at the old cover.Choosing a Fabric
Determining Yardage
Ongoing Self-Inspection & Correction
Advance PlanningThinking out and planning a job in advance (as much as you are able) often makes a big difference in how a job turns out. It is so easy for a beginner to want to get started before he/she even knows what he/she will be doing. As much as anything, this tutorial will help you examine what you will be doing and help you in the planning process.
Why do you wan to upholster your sofa
What is your skill level?
Do you have adequate space?
Do you have the time needed?
Just because you have a sofa in your house doesn't necessarily mean that you should reupholster it. It takes a lot of work and a fair amount of cost to reupholster a sofa. Make sure that you like your sofa before making the decision to recover it. If you do you like your sofa, then skip the section below about finding a sofa, but read through the other sections below about accessing the style and condition of the sofa. If you really don't like your sofa, then you may want to find another sofa to recover.
Each sofa style will take a different amount of work. If you are just a beginner, you may want to chose a very simple sofa style to begin on. If you have never done any upholstery before, we'd strongly suggest that you do some small simpler pieces of furniture before starting on a sofa.
As we inspect the frame, springs, and support linings, one of the primary principles we keep in mind is, "will it last the life of the new cover?" This will be our guide as we try to determine what to fix and what to leave alone.Check the condition of the frameCheck the frame. Try to wobble all parts of the frame. wiggle the arms side to side, grab ahold of the top of the middle backrest and try to pull it towards the front and then push it toward the back. Try to wiggle all parts of the frame. Listen for squeaks and watch for frame wobble and loose joints. If the frame is wobbly, it can be fixed, but it ads some extra work. To fix loose joints often requires that you take everyting off the frame (fabric, padding, springs, etc. so that the joints can be opened up reglued, make triangle fitted corner blocks and reglued. You will also need to have some woodworking clamps. If you or a helper can do wood joint repairs, then you might be OK. But, if neither you nor anyone else is comfortable with doing the frame repairs, you might want to pass us any sofas that have loose jointed frames.
Sofas general have one of these types of springs:
Hand-tied coil springs, which are among the best types to have. If tied propery, coils springs give superior support and comfort. Much of the time yoiu can determine is the sofa has hand tied springs by putting your hand under the sofa and pressing up. If you feel a firm spring support underneath at the bottom of the sofa, it may be hand tied springs. A sofa with hand tied spring generally has webbing across the very bottom of the sofa, with the springs pressing down against the webbing. This gives the bottom of the sofa a firm "full" feeling. When this type of set needs retieing, the bottom often sags down because the webbing stretches as it gets older. Also, the top between the springs will feel loose.
Arc springs (commonly called zig zag springs). If, when you feel the bottom of the sofa, all you feel is
Machine wired coil spring
Rubber or Elastic Webbing
After you have the sofa all taken apart, it can be quite confusing to try go figure out how all the assorted pieces get put back together. "Better to have the pictures and not need them than to need them and not have them." To the observant, the sofa itself will tell you how to put it back together. The pictures that you take and the old cover will show you far more than a tutorial about how to put it back together.
In this modern day of inexpensive digital cameras, and with so many people having cell phones with built-in camera, it is very possible that every professionals ( and do-it-yourselfer) have a camera within arms-reach, and and to be able to use it constantly, throughout the whole process of recovering the sofa.
As you unsew seams, take pictures of how the pieces looked before you took them apart. (Be sure to mark the pieces, as described under Method 2: Cutting the Fabric.) Your pictures should also include showing how the folds are made, the type of padding, the support linings, and anything else that you may need to know. Take more picture than you think you will need. Be thoughtful of how you frame the pictures and what you include in the pictures. Once you have the old cover removed, your pictures will be one of your main reference points. If you took the old cover off the furniture in the sequence described in "Removing the Old Cover" and took pictures all along the way, that becomes your picturial guide of how to put the sofa or chair back together. The other main reference point will be looking at the old cover.
On your first pieces I recommend that you choose a fabric pattern that doesn't have to be matched. Matching patterns adds extra complexity that you don't need to deal with on covering your first pieces of furniture. With that said, if you choose a very plain fabric, any mistakes you make, or any wrinkles, will show up more clearly. So, a fabric with variated colors, or a muted pattern, or even a floral (with an all-over pattern that doesn't need to be matched) would be a good choice to help hide any imperfections of the finished cover.
If this is your first sofa that you will be recovering, choosing a good fabric will help you do a better job. It is easier to work with a medium to heavy weight upholstery fabric. Choose as heavy of a fabric as your sewing machine will sew. Since most do-it-yourselfers start out with a regular home sewing machine, this may be your biggest limiting factor. If you will be sewing cording in the seams (which means 4 layers of fabric in most sewing, and up to 6 layers at the seam joints), then you may need to use a fairly lightweight fabric. But if you won't be sewing cording in the seams, then you can use a thicker fabric. Before you make your final choise of fabric, you may want to purchase a 1/2 yard of whichever fabric(s) you are considering. Then do some experimental sewing on your sewing machine to see how thick of fabric your sewing machine can handle and whether or not your sewing maching can sew cording in your seams.
Intended use:
Lifestyle of users:
As you are determining the yardage amounts, be sure to allow an extra amount for making mistakes. Even professionals make mistakes, and as an amatuer you also will make mistakes. Depending upon your skill level you might add approx 25% to 50% or more additional fabric above any already generous amounts. As a beginner you are likely to make mistakes (which is normal). As your skill improves you will need a smaller allowance. Even professionals commonly add an allowance of 5% to 20% more fabric for mistakes, fabric flaws, etc.. It is far better to end up with extra fabric than it is to run short of fabric for a job. Sometimes the fabric store or wholesale supplier may sell out of your chosen fabric. That could be a disaster, or at least a challenge.
Now, to answer the question, "How many yards will your sofa take". Look at one of the upholstery yardage charts that you will find here.
There are at least several ways to plan your cutting that involve anything from using planning your cuts to using the old cover for your pattern. Below are two different methods to cut your fabric. Use whichever method best matches with your skill sets and your temperament.
Since you make a layout in advance:
On some pieces that need to be fitted, you cut the fabric twice, once from the layout rectangle size, and then cut it to shape.
It can be much more stressful to try to measure the sofa and to create a layout the first time.
Making a layout can be very tedious and take a lot of time, especially on your first time.
In order to make a cutting layout we need to measure every piece of fabric on every part of the sofa. (The actual pieces you measure will vary depending upon the style of your sofa.) Write down the widest point and the tallest point of every piece. Then add several inches to each measurement to allow for seam allowance and extra fabric to grab hold of to pull it. Measure all the welting. For a standard sofa, here is an example of what to measure (will vary with each sofa):
On the sofa deck (under the cushions) the fabric pieces that you need to measure are:
the Front Deck
Front Band
Front Band welting
On the arms measure
the Inside Arms*
Outside Arms
Arm Facing
Arm Facing Welting
On the backrest, measure
the Inside Back*
the Banding
the Banding Welting (add about 20 inches to what shows. This welting needs to be long enough to stick through the frame slots and put through to the outside. More about this later.)
the Outside Back
The Outside Back Welting
On the Cushions measure
the Cushion Faces (top & bottom),
Boxing
Welting
Zipper pieces
There may also be other pieces to measure that are not listed here.
*The inside arms and the inside back need special consideration. First you need to determine whether or not you will be using a stretcher cloth at the bottom of these. If so, then you will add about 3 or 4 inches at the bottom of each of these
Here are three different ways to do a planned layout. For each of the pattern pieces just make a rectangle. Don't worry about shapes or darts at this point.
Use a large piece of paper (butcher paper, etc.) and draw out a large rectangle, to scale, to represent the fabric size. Then lightly pencil in the various pattern sizes, with ID marks and measurements, in the middle of the large rectangle. Erase and rearrange as necessary to get the best use of the fabric.
Scale down your measurements so that one inch equals one square (or something similar). Tape together enough sheets of graph paper to the size of your fabric. Lay the graph paper on a large flat piece of cardboard or a corkboard and use thumbtacks to attach the graph paper. You can lay board flat or put it up on the wall. Then, for each fabric piece, Draw a dark line around the edges of each pattern piece, following the lines of the graph paper. to mark each piece to scale. As you cut each piece, mark it (i.e. IB for inside back, IA for Inside arm, OA for outside arm, etc.). Also mark the L X W size on each piece. When you have all the patterns cut. rearrange then on the fabric graph paper base to get the best fit. As put everything in place, use thumbtacks to hold the small rectangles of graph paper onto the large piece of graph paper. Rearrange the cut pieces to get the best use of fabric.
This is the method that I use. It is the hardest to learn, but is the easiest and most efficient to do once you have master it. It works similar to the graph paper, except on the computer. You draw one large rectangle to represent the roll of fabric. Then, using the measures from your sofa, you make rectangles to represent the cut sizes of the different parts of the sofa. Attach dimension lines to each rectangle, and label the rectangle for each sofa part (i.e. IA = Inside Arm, IB = Inside Back, etc.) Arrange the labled rectangles on top of the large rectangle to get the best use of the fabric. Then print out the finished drawing and use as a guide to mark and cut the fabric. As you cut each piece, transfer the identification marks from the drawing to the back of the fabric.
Assuming that you are using a plain fabric, you can railroad the fabric (cut from the side). Since you (presumably) have already did a fabric layout, just mark and cut the fabric following the your plan. You can use a carpenter's framing square to square up the fabric.
As you cut out each piece of fabric, draw a line along the top edge to identify which is the top of the fabric.Also mark an id mark on the back side of each piece. When marking the back, careful to use a marker that won't bleed through the fabric.
You can either fit each piece of the new cover while the old cover is still attached to the frame (which is easier) OR you can fit each piece (after the cover has been removed and the frame has been prepared for covering) as you are ready to attach it to the frame. For this tutorial, we will assume that you will use the first method.a ...
For any pieces that need to cut to shape, lay the precut pieces upside down on the corresponding pieces on the old cover (which is still on the sofa), check all around the edges that everything has enough for at least a 1/2" seam allowance. and pin it in place. Once the new fabric is anchored in place with the pins, use a marker to draw on the back side of the new fabric along the seams of the old fabric. Wherever there aren't any seams, push the fabric into the crevaces so the fold makes a right angle. Wherever appropriate, draw a line around those fold lines. Then, before cutting it, add a 1/2" seam allowances to all seam areas
a If you will be doing any rebuilding or repadding of the frame, then we'd recommend you use the second method.
If the inside back has a cording around the front, then when you sew the cording onto the IB piece, center the cording so that the cording will protrude about 5-10 inches past the bottom edge of the IB. You will need this extra cording sticking out when you attach the IB to the frame.
When you have all the new cover sewn, take off the old cover. For instructions, see Method 2, Removing The Old Cover.
You have a choice. You can either take off the entire old cover at one time, or you can take only as much apart as needed at one time.
For more helping in removing the old cover, see Tear Down Methods and Using An Air Ripping Chisel
As you remover the old cover, take care to remove each piece without ripping it very much. When you start putting the new cover on, you may find it useful to look at the old cover to see how it was made, how it was folded, etc. If you just rip the old cover to shreds while removing it, then you won't have it as a guide to help you put the new cover on.
To remove the old cover, you will mainly need a hammer and ripping chisel. Other tools that you will also need are a pair of pliers, scissors, a staple remover, screwdrivers, and (occassionaly, some wrenches).
You will remove the old cover the opposite way how it was attached, removing the bottom and outside first.
If the sofa has a skirt, remove that first.
Turn the sofa on its back or upside down.
Remove the dustcloth (It is the one piece you can just rip off.)
With the sofa still upside down, take loose all the fabric that is attached to the bottom of the sofa.
the bottom edges of the outside arms, outside back, and deck.
After you have all the old cover stripped off the frame, remove all the tacks or staples from the old cover. First draw alignment marks, with ID letters, on both sides of all seams on the top side of the old cover. Then take apart all the pieces of the cover, take apart all the seams, and iron them all flat. If the old cover is very soft and limp, you might want to use some spray starch on it as you iron it so that it will lay out flat and stiff. That will make it easier when you are trying to lay it out for a pattern. Make sure that you mark each and every piece, no matter how small, where it came from, (IB, IA, OA, etc.) or all the pieces will become one big jumbled mess that will be very confusing.
Then you'll need a large flat and very clean area to roll out the fabric. It could be on a long table, floor, deck, etc. If you decide to make a table you might like to know that the upholstery cutting table that many upholsterers use is 60" wide. Roll out the fabric
(If at all possible, it would be very helpful to be able to roll out the whole role of fabric at one time.)
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Preparing the frame
After all the fabric has been removed, examine every place where the fabric had been attached. Clean up the frame from staples, cotton and fabric. You want to remove anything that will have a sharp edge or that will leave a bump. There are usually staples still in the wood. Remove the staples that have one prong sticking up. You can hammer flat the staples that have both ends in the wood.
While you are examining the frame, also examine the strength of the joints and boards. If the frame has any loose joints, you will need to either take that part of the frame apart or open the joint(s) up enough to glue (use a carpent's wood glue) into the joints and into the dowel holes. Sometimes you may also need to make fitted triangle shaped blocks to further strengthen the joint. After gluing, securely clamp the joints together until the glue dries. (Read the directions on the bottle of glue to find out how long to leave the clamps on.)
If you will be adding a skirt to this sofa, determine how tall you will want the skirt (6"-8" is a common height for skirts, measure to the top of the skirt welting. Then you'll want to make sure that the frame has wood to attach the skirt all around four sides. Sometimes you may need add wood to the frame to attach the skirt. However, if you need to add this wood, don't block any areas where fabric pulls through from the inside. If your chosen skirt height requires that you add wood to "pull through areas, then wait to add the wood until you have the inside of the chair finished.
The prevailing Thought
In examining and repairing (as necessary) the frame, springs, support linings, and paddings, keep in mind that each of these needs to last longer than the new fabric that you are applying. What is the point of putting a new cover on if the frame, springs, support linings, or padding will give out before the fabric wears out? So, as you are examining each of these, if any of them is not in excellent shape, you may be well advise to replace or repair them.
Springs
Most of the low to medium quality sofa have zig zag (arc) springs. This tutorial doesn't cover hand tied springs.
Test the springs for squeaks. Press down each spring and listen for a squeak. If you hear any squeak, you would most likely need to replace the spring clips at the end of the springs. (The springs clips have a paper insulation on the inside. When the paper wears through, then you have metal to metal rubber, which causes the sqeaks. Replacing the clips generally elminates most spring squeaks.
Next, tie about 4 or 5 strands of spring twine the length of the sofa. Tie the twine from spring to spring (tie both sides of the spring), attach each end of the twine to the sofa frame.
Then put new burlap over the springs. Add an insullation pad (or carpet pad) over the springs, followed by a layer of cotton.
Paddings
Support Linings
The support lining usually consists of burlap, with jute webbing straps underneath.
The support linings hold the padding in place. It is important that they are in good repair if you want the sofa to stand up to much use. To replace the support linings you generally need to remove the padding, taking pictures and keeping a keen eye as to how the padding is attached. After the padding is off, examine how the old support linings and webbing was attached and (providing it was professionally done previously) put the new burlap and webbing on the same way. Then, either put the existing padding back on, or replace with new padding, replacing it the same as it came off.
Cushion Filling
Most modern sofas will have polyfoam in the cushion. Even the cushions had springs or something else in them, you can still put new foam cushions in them. If you will be putting a zipper in the seat cushions (which is recommended) you can always replace the foam in the cushions at a latter date). When replacing the foam, use a high quality foam of at least 2.5 lb to 3 lb. which will give you many years of service.
Attaching the Fabric
The Deck
The Inside Arms
The inside Back
If the IB has a welt sewn around the edges, then, at the inside bottom corners (if needed) cut the fabric off the covered welting. You want the welting (including the covering fabric) to be loose from the other fabric enough so that you can stick it through the frame slot at the bottom of the IA. The welting should stick out so that you can grab hold of it at the outside arm.
The Cushion
The best time to fit the cushion is after the inside arms and inside back have been attached, and BEFORE the outside arms are attached. This will give you the ability to adjust the size of the seat area, if needed. For example, if the cushion is a little too big you can put the bottom of the inside arm tighter to increase the distance in between the arms. You can also pull the bottom of the inside back a little tighter, which increases the front to back measurement of the cushion area.
If the cushion is a little too small, then you can take the bottom IB and IA loose and let the fabric out a little. You can also stuff some cotton (neatly and straight) in back of the IA & IB padding from the outside bottom. This will decrease the width and depth of the seat cushion area.
If the old cushion is good enough condition, put it onto the deck to see how it fits. If it fits fairly well, you can take apart the cushion cover and use it as a pattern for the new cushion. If the cushion is too big or too small, make marks on the old cushion to show how much will need to be added to or cut off the old cushion cover.
The Outside Arms
If you are adding a skirt, and if you need to add wood to the area where the inside arms pull through, this is the time to add that wood.
Attach the top of the OA fabric first. Lay the OA fabric inside out over the inside arm. Attach both ends first, then straighten the top edge of the fabric as you put a few staples across the top. Now attach a cardboard strip across the top, keeping it straight. Put the staples near the upper edge of the cardboard strip.
To add padding, use burlap or other strong fabric and staple to outide arm. Add layer of cotton or bonded dacron over the burlap. (If the padding is thick, you can often split it and only use a half thickness to pad the outside arm. Also, if the sofa has a skirt, only pad the area above the skirt. The staples used to attach the skirt will hold better if you don' t have the additional thickness of the cotton
Now unfold the OA fabric down from over the IA. Line up the weave of the OA fabric with the frame at the front of the arm, then staple the center bottom under the sofa. If the sofa has a facing staple the bottom of the OA fabric around the front of the arm. Alternatively, if the sofa uses a tack strip at the front edge, put that in now. Next pull and staple the OA rear bottom fabric, tacking up all the slack at the back and bottom of the OA..
The Outside Back
The Skirt
As you begin upholstery you have to balance learning to correct mistakes against perfectionism.
We all make mistakes. Even professionals make mistakes. One of the biggest difference between a profession quality job and an amatuer job is that the amatuers don't correct their mistakes.
On the same vein, correcting your mistakes will improve your skill more than just about anything else. Correcting mistakes is not fun and easy. Sometimes it involves taking a lot of the job apart. However, when you are in the mindset to correct your mistakes, and you actually do correct your mistakes, your awareness increases dramatically. After you've corrected a lot of mistakes you begin to watch the quality of your work as you do it. Many professionals catch their mistakes as they begin to make them, and can make the needed corrections without much loss in time.
Amateurs often either don't see their mistakes (or don't want to see them) or don't care. They just want to get the job finished and don't correct their mistakes. Consequently, their finished projects look like an amateur did it. Here is something you should keep in mind. Correcting your mistakes may increase the time to recover the sofa by a few hours or even a few days. BUT, you will have to live with sofa for years. Do you want those mistakes staring you in the face for years to come?
Even as you are learning to correct your mistakes, avoid perfectionism. If you get trapped in trying to make everything perfect, you never will finish your project and it may become a nightmare. Realize that you will make mistakes, and that is OK. Correct the mistakes that you have made IF you don't have to take apart a lot of your work. Later on, if you continue in upholstery, you will have a higher degree of skill and knowledge so that you will correct more of your mistakes (which teaches you to make less mistakes).
Just do the best you can with your current level of skill, but keep pressing on. Don't let yourself get bogged down or overwhelmed.
This method can be used whether you are measuring, cutting and sewing the fabric before teardown, OR if you are tearing down the furniture in advance and using the old cover as a pattern.
Before you remove the cover, take a moment and get your camera. Think about this, as you take the old cover off the frame, if you take thorough pictures at each step throughout the whole process, those pictures, in reverse order, become your customized tutor/guide of how to put the sofa back together. Proceed the tear-down in this manner.
As shown by the above directions, you take a sofa (or any furniture) apart in reverse of how it was put together.
More to come later.....
This tutorial is not intended to give all the details of recovering a dentist chair, but on of the part that regards to gluing of the contour area and using a heat gun. Also, if this is your first time in gluing a concave area, or if you have any hestitancy, I'd recommend that you make a prototype. It is extra work, but it could save you a lot of grief.
Also, read through this entire tutorial before starting. Make sure you understand it and have all the necessary tools and supplies on hand.
In addition to the normal upholstery tools, here are the additional tools and supplies need to remove the old cover and to apply the new foam and cover
Remove the staples from the old cover, as is normally done.
After you have removed all the staples you may find that the existing vinyl cover was probably glued to the cover. (If the cover wasn't glued on, then you probably don't need to read any of this article.) The best way I have found to get the old cover separated from the cover is to use a steamer. Apply steam to the underside of the old viny at the point where the vinyl is glued to the foam. Keep head of steam close to glued edge as you put the cover firmly, but gently away from the foam. The steam softens the glue enough to let you slowly separate the vinyl from the foam. For any areas where the steamer isn't enough to get the vinyl free from the foam, (after applying steam) quickly use a single edged razor blade to carefully scrape the foam off the back side of the vinyl.
There are many brands of foam glues available. Call or go to an upholstery supply house and ask for a good quality aerosol foam & fabric glue that will give a permantent bond.
When gluing foam, only use a foam that is made specifically for glue foam, (often called "foam & fabric glue") which will also glue foam to fabric or to the back side of upholstery vinyl. Foam glue dries flexible so you can't tell that the foam under the cover has been glued. Other types of glues can try lumpy or brittle.
Foam glue comes both in bulk and in spray cans. Unless you frequently are doing a lot of gluing, it is just much easier to use the spray adhesive, which is what we use.
Foam glue can be used for a temporary bond or a permanent bond, depending upon the type of glue you get and how you use it.
For a temporary bond apply adhesive lightly to one side
For a more permanent bond, apply a heavier coat to both sides. This requires a bit of practice. If you put the foam together to quickly, the foam won't be tacky enough to hold together. If you wait too long so that the glue dries too much, then it won't be tacky enough to stick very well. The temperature also makes quite a bit of difference on how long the glue needs to sit before it gets tacky. When the shop is cold the glue takes a long time to get tacky and still might not stick very well. Conversely, in a hot shop (mid Summer) the glue dries very quickly and you need to be right there testing it to see when it is ready. Often, it will be ready within 30 seconds after you have sprayed the glue. Experiment with how to apply it on scrap foam at first to see how it works best.
In spite of your best efforts, separating the old cover from the foam often leaves little holes or tears all over the foam. To smooth out that rough top foam we glue a piece of 1/2" foam over the old foam. Here are the instructions.,
It is assumed that you already know how to cut and sew the cover, so that won't be covered here.
These instructions assume that you have already cut, sewn, and tested the new cover to make sure it fits. (Make sure the new cover fits good before you start putting it one. You won't be able to easily get it back off to fix something.) We also assume that you have made the new cover with some type of fitted corners.
Carefully check all cording seams to make sure that they are sewn correctly.
What Different ways can you tear down a sofa or chair? What tools should you use and what is the best ways to use those tools? This page is just beginning. We will add more to it in the future.
I use a variety of methods to strip the old fabric off the furniture. Sometimes I use the air powered tools. At other times I use the hand tools. I usually use a variety of methods on every job. Not any one method will work efficiently with every situation. It is important to learn a variety of methods so that you can use the method(s) that work for each jog.
One of the most useful methods of stripping down furniture I have found involves using the air powered ripping chisel. To learn more about it, go to Using an Air Ripping Chisel.
To answer a question I received some time ago, no, it doesn't matter whether you put the webbing on lengthwise or crosswise first. I generally attach the webbing right underneath where the row of springs go. The webbing will cross right underneath each spring. Use a webbing stretcher to stretch the webbing tight.